A Quote by David Nutter

Without having an emotional connection or some relatability to the characters, there's really nothing to root for, in some respect. — © David Nutter
Without having an emotional connection or some relatability to the characters, there's really nothing to root for, in some respect.
The failures of other genres to provide an emotional connection with some of their characters and narratives gives memoir a toehold.
There's some guys in the league that I really want to respect me. I respect the way they play, I respect the way they look at the game, and their respect is more important instead of having a job.
Maybe that's the way I'm private - I respect the privacy of "my" characters? Anyway, we're getting close to the whole "relatability" and "likability" thing.
... each gratification points to the ultimate one, and that all happiness has some connection with eternal beatitude. Some connection, if only this: that every fulfillment this side of Heaven instantly reveals its inadequacy. It is immediately evident that such satisfactions are not enough; they are not what we have really sought; they cannot really satisfy us at all.
Obviously, having your peers' respect is everything. I learned that a long time ago: that some people see you one way, some people see you another way, but having your peers' respect is what's really important.
In 'The Prophet' I really fell in love with those characters, there was an emotional connection there that I don't think I've had in a while. It made me think it would be nice to stick with the characters for a little bit and see what happens.
Some people see me as dissecting my characters in some kind of heartless, coldblooded, analytical way, when in truth making these movies is a passionate, intensely emotional experience for me. I'm detached from the characters only to the degree that I have to be in order to write honestly about them.
I would like to do some serious drama. I really connect with emotional characters who have struggles and a lot of emotion and colors. I don't really want to do anything smiley and cheesy; it's not really my personality when I'm working.
I guess the most emotional part is when I have that moment when I end up writing something that I really, really love. So not only is there the emotional connection with the music that's being created, but there's also the magic of the fact that you're essentially creating something from nothing.
It really helps to know what success is before you get there, and if you know, then you can head right for it. For some people, it's the most money. For some, it's the most power. For some, it's the most girlfriends. Everybody's got a measure. For me, I guess it's having the respect and admiration of your peers.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
All my main characters are people I'd love to sit around having coffee with. They are people who will tell you honestly about the things that scare them and worry them and trouble them. Because those moments of connection between women-when they really decide to be honest with each other about their lives-are some of the best things in life.
Without love I mean nothing to you Without love broken in two Without love give me some value some worth Without love no life left on earth.
Enthusiasm is big. When I write a book, it's a three-year commitment. Toward the end, I'm writing seven days a week, and it's exhausting but thrilling. The only hope is to have some real enthusiasm for the book. ... Above all, you need some strong emotional or personal connection to your material.
I try really hard to cultivate the pure love of reading, to make time for it, because it would be really sad to still be a writer without remembering why, on some visceral, emotional level.
On 'Avatar', I learned that it's worth taking some risks and doing some weird little things with characters or having an off-joke here and there, even if it's only for 5 percent of the audience.
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