A Quote by David Nutter

The Red Wedding was, for myself as a director doing this, such a mammoth experience. — © David Nutter
The Red Wedding was, for myself as a director doing this, such a mammoth experience.
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The Red Wedding was an amazing experience I'll never forget. We rehearsed it like a play over one whole day, and then shot it over five days.
If I decide to make a coat red in the show, it's not just red, I think: is it communist red? Is it cherry cordial? Is it ruby red? Or is it apple red? Or the big red balloon red?
And thus Snow White became the prince's bride. The wicked queen was invited to the wedding feast and when she arrived there were red-hot iron shoes, in the manner of red-hot roller skates, clamped upon her feet.
You make a movie, and if there's a red light flashing in the distance, everyone thinks that the director had a whole lot of money and a great idea that the red light means something. Then you say, 'Yeah, we couldn't afford to shut the red light off that was broken two blocks away.'
I think of myself more as a director than as an actress. But I do like to perform and express myself in different ways, and I'll keep on doing so, provided I can find interesting roles.
I got to work with Robert DeNiro once and it was a strange experience. Gwyneth Paltrow and I were doing Great Expectations movie together and we were complaining about what a mediocre film experience it was. DeNiro showed up on set and all of a sudden the director got better, the director of photography got better - everybody got more interested and excited. DeNiro isn't waiting for other people to create the environment that he wants, he brings it along with him.
When I realized that nothing is perfect and no one is perfect, I was able to overcome my initial fears. I was holding myself to some weird standard that I was putting outside of myself, i.e., the director or casting director - they're not expecting perfection. I had all these strange trappings I would put myself in.
I never really saw myself as a comedy director, and I still don't. I see myself as a director.
Women ... to them any wedding is better than no wedding and a big wedding with a villain preferable to a small one with a saint.
When I do a still picture, I'm doing it all by myself with no help. I'm designing everything. I am my own art director. I'm doing everything. I'm directing, editing, whatever.
From my side, I don't put pressure on the director to cater to a certain image. I am happy to do different films, and I have to stick by my director. I like to completely surrender myself to the director - that way, I think, I don't get to do the similar roles.
'Northern Exposure.' I loved that show; I loved the way it was able to have episodes where somebody finds a woolly mammoth, he calls the museum in New York, they send a guy out, and the mammoth's gone because someone ate it. To me, that was everything I ever wanted to do. That show mixed emotion, humor and the surreal all at once.
I like to adapt to a director's way of working. I love doing that. Each director is so different, and you have to adapt to this new way of doing something. That's what's amazing to me. That's why I love directors. I don't want to director to have to work around me. I think it's more fun for me to come in on their thing.
My grandfather Frank Lloyd Wright wore a red sash on his wedding night. That is glamour!
There was a choice of being a director who's more familiar with the technicality of doing a movie, like learning about the camera and filters and setup, or being a director who can actually talk to actors. And I always wanted to be an actor's director.
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