A Quote by David Nutter

To me, the most important selling point of 'Roswell' was that the audience has to believe in the characters they're watching. — © David Nutter
To me, the most important selling point of 'Roswell' was that the audience has to believe in the characters they're watching.
What's most important is to create an atmosphere that's real, providing characters the audience can root for. Once they become emotionally attached, that's the secret in building a show. The audience can see themselves in these characters, and they respond to the stories.
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
It's very important to me to find ways to relate the audience to the characters. This is the first thing to go in most mainstream horror films.
Selling is the most important skill as an entrepreneur. I'm not talking so much about selling a product so much as selling yourself, team, and deals.
When you create those characters that people love and care about and put them in a dark hallway, already the audience is on edge, and they feel empathy for that character. Then it's up to me to decide what jumps out in that hallway. So I think laying that foundation of strong characters and strong story is the most important thing in a horror film.
I think often I learn the most from other people's mistakes. If I'm in the audience watching an actor and thinking, 'I don't believe you,' I spend the rest of the play working out why I don't believe them.
That's the most important thing when you're trying to portray a character for the audience to believe, you have to have the ability to journey in uncomfortable areas in your own personal life - to bring them out and make (the characters) true. Michael Landon is incredible at pulling those (emotions) out of you.
I've always kind of gravitated toward characters who are a bit distant from the narrator or the point-of-view characters, so that's kind of important to me, to set up a different character who would be the point-of-view character for the story.
The audience's reactions are more important: if people believe in the love story, it's because they love how we've acted. That's the most beautiful award. It's very important for me, people appreciating what I do.
I believe in storytelling, not story-selling. I want people to believe the characters are real. So I'm a realist.
What's important is you have to care about what you're watching and the characters you're watching and what they are going through.
I went from silent films to watching French new wave cinema. I became entrapped by it all. That's when I knew I wanted to do film. The moment you start looking at film from a critique point of view - there's a difference between watching a film as an audience and with a critical point of view.
From a director's point of view, if I can create different characters which impress the audience, that's fantastic for me.
I think at some level, it's just alchemy that we, as writers, can't explain when we write the characters. I don't set out to create the characters - they're not, to me, collections of quirks that I can put together. I discover the characters, instead. I usually go through a standard set of interview questions with the character in the beginning and ask the vital stuff: What's important to you? What do you love? Hate? Fear? .. and then I know where to start. But the characters just grow on their own, at a certain point. And start surprising me.
I love managing characters. Characters make teams and I believe I can deal with all sorts. The most important thing is being able to pass my knowledge on to others and allowing them to flourish as individuals and as part of a team with a specific strategy.
Somewhere, the audience relates to my characters and their vulnerability. I believe they see themselves in me.
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