A Quote by David O. Selznick
It's somehow symbolic of Hollywood that Tara was just a facade, with no rooms inside.
Related Quotes
Nowadays, you can be yourself. You don't have to put on façade. You can be who you are and still be just as successful as the ones who put on the fake façade. You know, it's like reality is just as important as fiction.
The Hollywood actor business can be a little shallow and can be a little more of a facade, and Nashville and the South, people are genuine and real, so if I can be based out there and go off to Hollywood to do a film or do another TV show and then fly back to Nashville, I'd be set.
It is not enough just to open the door to the rooms of power. We have to get inside and rearrange the furniture!
It was really fun being in Tara's trailer, working on my lines. Tara is such an amazing actress. She's so good at what she does. I learned a lot from watching her.
Everybody in Hollywood loves symbolic gestures.
I don’t want to scare the guests with a big old guard dog,” Tara protested. “Safety is far more important than worrying about what anyone else thinks,” Sawyer told her. “You’re right, of course.” Tara looked at her sisters. “We’ll think about both an alarm and a dog.” “We can borrow Izzy from Jax,” Maddie said. “Sure,” Tara said. “And she can lick the next bad guy to death.
There's a real separation between actors and all the other functions of Hollywood. If you're an actor you're somehow not a member of the crew. You're somehow more special. I hate that.
When I was a kid my primary goal in life was to find a book that was alive. Not alive in the human sense, but like a thing that would send me to a place not otherwise accessible on Earth. This book should have hidden words encrypted beneath the printed ones, so that if I worked hard enough and discovered the code I would somehow end up inside the book, or the book would take on a body and consume me, revealing a secret set of rooms behind the wall in my bedroom, for instance, inside which anything could be.
A facade of skyscrapers facing a lake and behind the facade, every type of dubiousness.
Oh my God," Maddie whispered, horrified. "I rented him that boat. Does that make me a murderer?" Tara's heart clutched. "He's not dead yet." "Hurry," Maddie called to Ford. "I can't be the one who killed Tara's ex!" I look terrible in orange!
Having lost Rhett, she can always return to the land - to Tara, to soak up its strength. . . . Tara! . . . Home. I'll go home, and I'll think of some way to get him back! After all, tomorrow is another day!
In portrait photography there is something more profound that we seek inside a person, while being painfully aware that a limitation of our medium is that the inside is recordable only insofar as it is apparent on the outside...Very often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe.
There's something about the processional nature of the architecture, of the rooms connecting rooms. It's just breathtaking.
It turns out that an eerie type of chaos can lurk just behind a facade of order - and yet, deep inside the chaos lurks an even eerier type of order.
When you think about it there's never really been a realistic exposition of Hollywood, I mean - from the inside - showing Hollywood what it can do, what it has done, to people.
I think Hollywood... well, there is no Hollywood anymore so let's just call it the mainstream since the business is no longer Hollywood producing its own films and then distributing, they just distribute.
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