A Quote by David Ogden Stiers

Kids now are so used to surround sound and the power in theater speakers, that the concert hall is a disappointment to them. — © David Ogden Stiers
Kids now are so used to surround sound and the power in theater speakers, that the concert hall is a disappointment to them.
Dolby was in the driver's seat. "Surround Sound" was added. Now we had three speakers behind the screen, two more on the left side of the theater, and two on the right. A closely guarded secret about all this is that you hear the correct balance only if you're sitting in the center of the theater. On the left or right side, those speakers tend to dominate.
In Bombay, we have a fine concert hall. I think it is high time we built venues in Delhi and Calcutta, not only for western music, but also Indian music. It doesn't matter which party is in power; don't you think the capital of India should have a concert hall?
It's funny, but to me, when you go to a concert hall and hear electronic pieces from the '60s, I think they sound really dated. But when an orchestra plays a piece from that period, and it's going to sound different every time, it feels more modern to me.
When you hear a large symphony orchestra. for instance, in a concert hall, there's a big, sweeping sound that just doesn't get on to a record.
We have opportunities to be used by the living God on a daily basis and I don't need the platform of a concert hall to do so.
Even more than in the concert hall, in church there are things you can and cannot do, just out of respect. You would never have the sound of someone being nailed to a cross, or the sound of a child being born, because everybody knows the story. We know that we're meant to feel a complicated raft of things.
When it comes to orchestral music, whenever I see a concert with orchestra and strings, and I arrive and there are speakers up, my heart always sinks a little bit, and I think, 'It's going to be down to some sound guy's ideas.' Contact microphones on the violins. I'm a purist, I suppose.
My mother, Minuetta Kessler, was a concert pianist and composer who performed at Carnegie Hall and Town Hall.
And as far as the Disney Concert hall is concerned, it is a wonderful modern structure and I am extremely honored that I had this opportunity to have a concert here.
I used to work at a catering hall in Hauppauge. Anybody who works as a server in a catering hall, more power to you, but I wanted to make music.
You can buy $20,000 speakers, but put them in a room that's not right, and it sounds terrible. If you buy $20 speakers and put them in a room that's tuned right, it'll sound great.
It is like sitting in a traffic jam on the San Diego Freeway with your windows rolled up and Portuguese music booming out of the surround-sound speakers while animals gnaw on your neck and diseased bill collectors hammer on your doors with golf clubs.
I collaborated with a brilliant young sound designer named Anthony Mattana, who enriched the sound of the total production with vocal effects, percussive and other sounds. He also mixed the sound effects and the music, using the theater's first rate sound system to complement the theater's acoustics. This completed my score.
Birmingham did a truly remarkable thing in building Symphony Hall, which is the finest concert hall in the U.K. and one of the best in the world. The city has supported music without putting on the brakes.
You couldn't be performing if it weren't for the audience. I appreciate them being there. So why not applaud them? They took time out of their schedule to show up and sit in the concert hall and be part of the experience.
The music lovers of London and the country deserve to have something where orchestras can flourish. You have no idea how wonderful an orchestra like the London Symphony Orchestra can sound in a great concert hall.
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