A Quote by David Oyelowo
I do think opportunity breeds bravery. It's such a competitive profession, no one owes you anything, talent in itself is not enough. I went to drama school with so many great actors who are not doing it anymore and it's circumstantial.
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My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
I believe that there are many talented Filipinos and their talent is great and globally competitive, just waiting to be tapped. I don't want such great talent to be wasted.
When I was at drama school some of the teachers, who were very wise, said to me, 'You're going to be a great actor in your 50s. Now, you're not malleable enough. You're doing one thing well but you need to loosen up a bit.' That happens to actors. You learn more about it and hopefully you get better at it as you get older.
What do actors really want? To be great actors? Yes, but you can't buy talent, so it's best to leave the word 'great' out of it. I think to be believed, onstage or onscreen, is the one hope that all actors share.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
I was quite frustrated by school and found solace in going to the drama studio, doing stupid voices, and being an idiot. I then went to Guildhall School of Music and Drama and signed with a great agent in my third year.
The most important thing to keep in mind is the incredible diversity of talent that's out there - there are so many great actors from all over Asia, from Singapore and Hong Kong to the Philippines and Mainland China, not to mention many great Asian-American actors who are eager for fun and challenging roles.
Acting is a difficult profession, it really is. It's different than singing. With singing you may have one song and four people to record it - but they'll all do it differently and they'll all have that option. Whereas with actors there might be one part, and five hundred actors all want the same role - it's so much more competitive. It's an incredibly painful profession because you get so much rejection.
There are lots of people who haven't been to drama school who have great talent and can be discovered.
I think I'm one of the only guys here - I mean, we have so much great talent here, but I can do anything. I can literally do anything. That's not me being like, 'Oh I'm so great.' I'm just like, 'I know what I'm doing.'
If it wasn't for her literally doing my homework for me, I would not have even graduated high school. Guaranteed . . . My mom always said, 'Luck is nothing but preparation and opportunity.' I think because I've had that history of not really being great in school, I probably try to overcompensate. That's why I try to read so many books. Just so I don't feel . . . uneducated.
Some people think that there aren't many Aboriginal actors around, and if there are, they're not that good. It's stupid. There's such an incredible pool of talent out there, and they're still coming out of drama schools. People just need to take a leap of faith.
Subtract from the great man all that he owes to opportunity, all that he owes to chance, and all that he gained by the wisdom of his friends and the folly of his enemies, and the giant will often be seen to be a pygmy.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
I love actors. Part of that is my theater background and being a writer who cares about performance. Actors have usually chosen their profession because they have a dream of doing it and they want to express something about the world. That's the same thing that I have with writing. Most of the good actors get into it for those reason, rather than for reasons of fame or fortune, or anything like that, and that's where I'm coming from, as a storyteller.
It used to be trained professionals doing animation and they were great. Now they have celebrities and famous actors doing the voices, but that does not always work. But I think this film turned out really well, partly because the three of us (me, Ray and Denis) are comedians who are used to doing solo acts and doing certain types of voices. The three of us are New York guys, we all came up the same way in the profession and we are all edgy and enjoy doing family movies. It was a good combination I think.
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