A Quote by David Oyelowo

Female directors, directors of color are a big thing for me, which are both important voices and potent voices that need to be heard. That's how I want to engage myself as an actor going forward.
I don't really consider myself a female director, and I don't want to do so for other women. Female directors are just directors.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
The voices of the residents of Flint did not get heard by people that were making decisions and I think that's the most important thing. I want to make sure those voices are answered in the future.
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
When I was in college, my graduation thesis was called 'Female Directors.' I interviewed all of the important female directors from Mexico. There were four. That was it.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I have two sisters that are directors: one's in documentary, one's in film. My mother was a writer and a painter, so I've been surrounded since childhood by dynamic women and female voices in arts.
Women’s voices, LGBT voices, and the voices of people of color are all needed in any art form if we want to explore the true possibilities of that art form. Diversity is strength.
I now understand what Nelle Morton meant when she said that one of the great tasks in our time is to "hear people to speech." Behind their fearful silence, our students want to find their voices, speak their voices, have their voices heard. A good teacher is one who can listen to those voices even before they are spoken-so that someday they can speak with truth and confidence.
I've definitely gotten to work with female directors, and I feel lucky because of that. I just feel like more voices should be represented.
Peter Chelsom and Edgar Wright are totally different directors and worlds apart, but both really accomplished directors who are certain of how they want to make a film.
Directors don't get to see other directors at work - they're the only one on the set. I've met directors who've asked me what another filmmaker is like. So, there's probably nobody better placed to make all the comparisons and to pick up stuff than an actor.
I don't think I have advice for female directors as opposed to male directors. I think all first-time directors should try and be as prepared as they possibly can, because it's hard!
It is time that the female gaze made its presence felt both in cinema and in a world that's been driven by intolerance, greed, hate and lust. We need to make gentler, more inclusive films where multiple voices may be heard.
There are a lot of female directors in Lebanon but we can't really talk about a true film industry, it's still very small. But we do have a few female directors.
I'm not saying I only want to work with female directors. But I want to continue to work with emerging female directors.
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