A Quote by David Oyelowo

I truly believe slavery is why, as a by-product, we still have a disproportionate amount of black men incarcerated in the USA. It is an extension of that legacy, and that's not going to start to diminish until black people have a new sense of themselves that isn't tied to slavery and feeling inferior. I think the church can be instrumental in that, in terms of repentance, reconciliation and just being more embracing of each other - not just on Sunday, but in life generally.
I truly believe slavery is why, as a by-product, we still have a disproportionate amount of black men incarcerated in America. It is an extension of that legacy, and that's not going to start to diminish until black people have a new sense of themselves that isn't tied to slavery and feeling inferior. I think the church can be instrumental in that, in terms of repentance, reconciliation and just being more embracing of each other - not just on Sunday, but in life generally.
I truly believe that one of the things that has been lacking in America is a spirit of repentance about the injustices of slavery and the injustices of segregation and racism generally. I truly believe that we cannot come to a place of reconciliation until there is individual repentance and corporate repentance.
I truly believe that one of the things that has been lacking in the USA is a spirit of repentance about the injustices of slavery and the injustices of segregation and racism generally.
I wanted to make sure the focus [in The Land] was on human beings themselves and their decisions, but still connected to the urban environment that people associate as being black. I think I was able to make a film without commenting on "black this or black that" and you still feel the presence of it. There's no one character who's saying "we're all black and we're all in this struggle." It's that you just feel it. Some of that is because we get the sense from a lot of independent films that black people struggle all the time.
In the era of slavery, you could be a so-called Afro-Cuban one day and a so-called Black American the next day, or vice versa. I mean there was all this back and forth, and there was a lot of opposition in Black America to slavery in Cuba in particular, because slavery in Cuba lasted until the 1880s.
Liberals have been driven to the desperate expedient of attributing . . .social pathology in today's ghettos to 'a legacy of slavery' even though black children grew up with two parents more often under slavery than today.
My writing is definitely influenced by and speaks to African-Americans because that is who I am. I'm black. I'm a black woman. I'm a black mother, wife, churchgoer, etc. I am the legacy of slavery.
The true story is that black people need to tell their history. Very few films are made by black people about slavery. That itself is a crime because slavery is a very important historical event that has held our people hostage. Forget white people's role in it. In the end what's important is black people remain and live with the scars and psychological issues.
Since I have escaped the harshness of the economic bounds of poverty, I have stayed very connected to it spiritually. I reside and live and go and socialize and exist among those who suffer daily from the relationship that they have to poverty, Black men and women who are incarcerated. Actually, all people who are incarcerated, not just Black.
The U.S. has the largest prison population in the world: two million people. One out of every eight prisoners in the world is an African American. We are warehousing people as a profit to shareholders or for benefits to communities that get to host federal prisons. It is modern slavery. The whole future of America's black community is at risk. One out of every three young black men in Washington, D.C., is under one arm or the other of the criminal justice system. These are the continuing consequences of slavery.
Young black men in America have an identity ascribed to them that is a direct legacy of slavery.
"Black culture" is ready for whatever. I sense some momentum and excitement around black artists (especially in comedy, which is where most of my own art resides), really pushing the bounds of what has generally been expected as black. I don't think it's a revolution so much as an exposure of what has always been there, and now that the production and distribution means are more accessible, people can more easily find each other.
The Black church is extremely important in Black America. I think most Americans themselves believe in a divine power, in a god, and I'm sure that that number increases with Black people.
We have far more options for black Americans to tell stories outside of slavery, but whenever it comes to slavery, it's an uncomfortable subject. Why? Because it's the most unresolved subject in American history.
I truly believe that we cannot come to a place of reconciliation until there is individual repentance and corporate repentance.
The breakdown of the black community, in order to maintain slavery, began with the breakdown of the black family. Men and women were not legally allowed to get married because you couldn't have that kind of love. It might get in the way of the economics of slavery. Your children could be taken from you and literally sold down the river.
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