A Quote by David Oyelowo
In my time since moving to the United States, I've found that there is a dearth of great writing for black people. There are stories that depict us in a way that isn't cliched or niche, and that a white person, a Chinese person, an Indian person can watch and relate to. Those are the stories I want to be a part of telling.
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So I found myself telling my own stories. It was strange: as I did it I realised how much we get shaped by our stories. It's like the stories of our lives make us the people we are. If someone had no stories, they wouldn't be human, wouldn't exist. And if my stories had been different I wouldn't be the person I am.
I'm really proud of 'The Gift.' There are stories we can all relate to - a first love that went wrong, a person who bullied us at school, a kind person we took for granted.
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
People say, "I have heart disease," not "I am heart disease." Somehow the presumption of a person's individuality is not compromised by those diagnostic labels. All the labels tell us is that the person has a specific challenge with which he or she struggles in a highly diverse life. But call someone "a schizophrenic" or "a borderline" and the shorthand has a way of closing the chapter on the person. It reduces a multifaceted human being to a diagnosis and lulls us into a false sense that those words tell us who the person is, rather than only telling us how the person suffers.
I've written short stories in first person, but you have so much more control writing in third person. Third person, you know what everybody's thinking. First person is very limiting, and I could never sustain a first person novel before.
I see all art as a complement to telling people's stories. I'm in the storytelling business. I believe that the humanity that all of us share is the stories of our lives, and everybody has a story. Your story is as important as the next person's story.
I think everybody has the ability to fall in love with a man or with a woman or a white person or a black person or a Jewish person or a Protestant person or whatever.
I wondered if the person who really loves you is the person who knows all your stories, the person who WANTS to know all your stories.
We'll bury our mothers and fathers - shuttling our children off for sleepovers, jumping on red-eyes, telling eachother stories that hurt to hear, about gasping, agonal breaths, hospice nurses, scars and bruises and scabs, and how skin papers shortly after a person passes. We will nod in agreement that it is as much an honor to witness a person leave this world as it is to watch a person come into it.
I spent 12 years of my life writing stories without black people. That's insane to me. It's insane that I could have believed in magical portals and dragons and all that stuff, but to believe a black person could be experiencing those things was unimaginable.
I think if you are a black person or an Hispanic person, you are not as fond of Rudolph Giuliani as you are if you happen to be a white person. Because he has trampled on people's civil rights.
When I was writing stories about Chinese American characters in my fiction classes, I'd get comments like, 'You should consider writing more universal stories.' But anything can happen to a Chinese American girl - just as much of the canon of English literature involves white men or women.
When you suveil a person abroad, you don't have to have a warrant to do so. That has never been so they don't have the fourth amendment protection. On occasion, that person might call somebody in the United States, and if they're a terrorist, you really want to know who they are talking to. Maybe they're plotting an attack on the United States.
When someone asks me about violence, I just find it incredible, because what it means is that the person who’s asking that question has absolutely no idea what black people have gone through, what black people have experienced in this country, since the time the first black person was kidnapped from the shores of Africa.
I am more of a visual person than a verbal person. For me, I think, the excitement is the fact that I found a way of telling the story as I want to tell it, in a medium that I could master.
White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'
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