A Quote by David Oyelowo
One of the things I have an allergic reaction to playing, especially as a black actor, is the mandatory kind of best friend/cop/detective type. You will never see me in that movie.
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I never thought about being the first black actor to win, even though everybody else talked about that. If I stop to think as a black actor, people will see me differently. If I play as a black actor, people will only see that. I think my key was to perform as an actor, not as a black actor. And after winning the Cesar, I was an actor with a Cesar. there are many more adjectives to describe who I am. I'm not only black.
On 'The Messenger,' just imagining playing the part of a soldier in that movie was kind of hard for me. And in 'Rampart,' the idea of playing a cop was even harder. It was hard to imagine myself as a cop.
White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'
My parents did the whole good-cop/bad-cop thing - Dad was the bad cop, and Mom was the good cop. I remember my father saying, 'I'm his father, not his friend.' That kind of stuck with me.
The average detective story is probably no worse than the average novel, but you never see the average novel. It doesn't get published. The average -- or only slightly above average -- detective story does.... Whereas the good novel is not at all the same kind of book as the bad novel. It is about entirely different things. But the good detective story and the bad detective story are about exactly the same things, and they are about them in very much the same way.
I know an actor who would play one type of part but could never get cast as tough. Once he got cast as tough, as a cop, he only got offered cop roles. It's a funny business in that regard. It's all about perception.
There are rules in movies. I did a movie playing a bad cop who was a heroin addict but they wouldn't let me smoke in a movie.
It is far best for the Christian never to see some things, so he will never want them. The old-fashioned Christian who will not have playing cards in his house will never learn to gamble with them. One who never sees, in movies and night clubs or elsewhere, half-clothed girls, drinking, smoking, gambling, petting, making love to many men, is likely to miss being led into that kind of life by these sirens of sin. It is the Devil's game to make people think it necessary for people to "know the ways of the world.
The difference between me and Tiny Lister is that he has never been the greatest actor, he hasn't been able to do a lot of big talking parts in movies, or even... he kind of has one emotion. He never looks at his career as an obstacle, he only looks at the positives. He's done... he knows, he has an opportunity. I mean, you see in a script, "Tiny Lister" type, you know you've made your mark. I mean on Friday After Next, that's what everyone expected me to be the new Tiny because it was that sort of part to fill that role, but if you look at the movie, there was a lot more there.
I wish they would see the real person in me. One day, they will know I'm not here for the show. My mind do shine. My heart is so kind. But that they can not see because all they see is the outside of me. Who I am, what I do is only the reaction I get from you.
I just hate when things get labeled as "black movies." I don't say, "Oh, this weekend, I want to see an all-white movie," or "I want to see a black movie." I just go to a movie because I saw the previews and I relate to it. I want to see it because the previews look interesting.
There's some kind of actors that can radically change who they are from movie to movie. I've never really been that kind of actor. I enjoy changing the worlds that I'm in.
I don't usually see my type for on-camera stuff as a series regular. Normally, my type is the janitor, the secretary, the cop, or the nurse.
If I see a cop, it's not like, 'Oh, there's a cop who's gonna keep me safe.' It's more, 'There's a cop who might be having a bad day, so don't make eye contact.'
If you write a piece, it's a different thing to show it to an editor than it is to show it to your best friend. You think, "Maybe she'll see through this or she'll see through that." That happened to me with my best friend back in Vancouver. I showed him "Just a Dream" and he took off the headphones halfway through and said, "Man, this is kind of garbage." He told me I needed to get singing lessons.
In any kind of comic scene you're going to perhaps push the boundaries of plausibility but as long as there is some semblance of logic I think as an audience you'll buy it and as an actor, when it comes to playing things like that, it gives you something to delve into. When I don't buy into a comic scene is the type of scenario where you'd just go: "Well, that would never happen."
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