That person who's going to a concert for a nostalgic reason, we're not really going to placate. We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
I did Chekhov's 'Three Sisters' once. Two months in, I remember going, 'Human beings shouldn't be forced to do or watch this play every night.' It's so dark and so bottomless.
I did Chekhov's Three Sisters once. Two months in, I remember going, "Human beings shouldn't be forced to do or watch this play every night." It's so dark and so bottomless.
We have to play 'Livin' on a Prayer,' 'Bad Medicine.' We have to play them, and we want to play them, and that's what we're supposed to do. It's like going to see The Beatles and them not playing your favorite song. It's not the right thing to do.
Number two, we're going to play with a lot of effort. Our guys are going to be in such good shape that fatigue is not going to be a problem. We're going to play with full effort from snap to whistle on every play the entire game.
Number three, we're going to play very smart and we're not going to beat ourselves. If the other team is better than us and they just out execute us and play better then we can live with that, but we're going to play smart and give ourselves every opportunity to win the game.
My mom always told me I should have a Plan B. I said that if I'm not going to play guitar I'm going to play drums. And if I'm not going to play drums, I'm going to play bass. I always just wanted to play music. I was completely obsessed.
When it's time to play, I'm going to come play. I'm going to play the right way. I'm going to try to help my team in all directions, blocking and catching. If I don't have the ball in my hand, I'm going to protect, block down the field. I'm going to do whatever it takes to win.
I'm their biggest fan every Sunday they go out there and play. I'm pulling for them, for the people in New Orleans and everything they're going through. If there are three or four hours that people can get away from the reality that is existing for them right now, the uncertainty, the unknown, the Saints can bring a sense of pride to them for that short period of time.
[J.F.Kennedy] is an iconic figure. And to make it even worse, he's a hero of mine. And every actor will tell you that you can't play heroes. And you can't play villains. You can only play human beings.
I knew what kind of actor I was going to be, and I looked for inspiration to people like Alec Guinness, Cyril Cusack, Timothy Spall and Jim Broadbent. I looked at them and thought, 'They play human beings as they really are.'
Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
I went back and listened to the first three albums I made and tried to figure out what was special about them, why people keep going back to them. I think it was because I didn't know what I was doing. I had no idea if they were going to play it on the radio or anything. All I did was write songs, so that's what I got back to.
I'm not going to make every shot. I'm not going to get every block. I can't let one play affect me the next two or three times down the court.
It's not always going to be there; every play is not going to be a 40-yard gain. You just have to take what they give you. When the opportunity comes, you have to split it and make them pay for it.
A lot of players have told me they see me as a protector of my teammates, that, side by side, I'm there when something goes down, and I step up beside them and for them when things get nasty. I play the game hard, and I play it physical.