A Quote by David Packard
I have observed that money left without special guidance is sometimes used well and sometimes not.
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I can't imagine my loved ones being in this world without anybody to turn to, without any support or encouragement, guidance in any shape, form or fashion. But there's such a large population of people and that's their plight. Through no fault of their own. Sometimes parents die, sometimes parents can't take care of them - all kinds of misfortunes.
All good intellects have repeated, since Bacon's time, that there can be no real knowledge but that which is based on observed facts. This is incontestable, in our present advanced stage; but, if we look back to the primitive stage of human knowledge, we shall see that it must have been otherwise then. If it is true that every theory must be based upon observed facts; it is equally true that facts can not be observed without the guidance of some theory. Without such guidance, our facts would be desultory and fruitless; we could not retain them: for the most part we could not even perceive them.
Healing wasn’t always the best thing. Sometimes a hole was better left open. Sometimes it healed too thick and too well and left separate pieces fused and incompetent. And it was harder to reopen after that.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
It's hard to say. Sometimes people have had terrible childhoods. And sometimes they just haven't found their special place in life. And sometimes they're dogs from hell and must be destroyed.
When we seek daily spiritual guidance, we are guided toward the next step forward for our art. Sometimes the step is very small. Sometimes the step is, "Wait. Not now." Sometimes the step is, "Work on something else for a while." When we are open to Divine Guidance, we will receive it. It will come to us as the hunch, the inkling, the itch. It will come to us as timely conversations with others. It will come to us in many ways--but it will come.
It's always interesting - how do you actually convey thought through song? We're used to the convention on stage. In film, we used to be used to it, and now sometimes it works and sometimes it doesn't. You need to be fresh and really look at the material.
I don't make decisions just on the character I'm supposed to play. Sometimes it's based on the director, sometimes it's based on the story, sometimes I need money, or sometimes I'm just starved to work.
When I'm alone, I work sometimes with music, sometimes without and sometimes just listening to NPR.
I have played on the left for Koln sometimes and the national team; it is not something special.
I suppose I sometimes used to act like I wasn't a human being... Sometimes I look back at myself and remember things I used to say, or my hairstyle, and I cringe.
To create anything — whether a short story or a magazine profile or a film or a sitcom — is to believe, if only momentarily, you are capable of magic. These essays are about that magic — which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.
I've had to change careers several times. Sometimes because my interests changed. Sometimes because all bridges have been burned beyond recognition, sometimes because I desperately needed money. And sometimes just because I hated everyone in my old career or they hated me.
In the shallow parts of many Swiss lakes, where there is a depth of no more than from 5 to 15 feet of water, ancient wooden piles are observed at the bottom sometimes worn down to the surface of the mud, sometimes projecting slightly above it.
Sometimes you do films that work really well and sometimes you do a film and you fall flat on your face. Sometimes things work, sometimes things don't work, you never know. I don't think there is any explanation to something like that.
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