A Quote by David Pajo

When I was younger and bands were formed that way, out of friendships rather than anything else. It wasn't like we put up want ads. — © David Pajo
When I was younger and bands were formed that way, out of friendships rather than anything else. It wasn't like we put up want ads.
KISS has always been outside of the borders of what other bands can do. Not that some of these other bands wouldn't want to do it - the fact that they may snicker or look down their noses at what we do is more out of jealously than anything else.
To be the music company of the future, you have to figure out a way to be a great business and distribution partner of younger bands, midsized bands, and ones that break out, like Arcade Fire.
When your 18th, 19, 20 years old like we were at that time, its just like anyone else, you look at like Silverchair and bands like that that are super young and sound extremely derivative of bands that were out at that current moment. As they sounded like 'Nirvana in pajamas' as we called them, we sounded like Bon Jovi and Skid Row and Motley Crue, because we were only influenced by what was out at the time because we were so young
I don't really marinate in anybody's album because I don't really want to sound like anybody else when I put my album out. So I'd rather not even be tempted to listen to a bunch of other stuff with any degree of emersion in it, cause I just don't want to sound like anything else, so I kinda focus on my own music.
I hate the word mentor, the professionalization of friendships between generations. I just feel like the fact of friendship is the thing we all adored, like the younger befriends or reaches out to their hero, and for me, whenever you meet some younger person, who has a fire in their gut, a way of being in the world, it excites you.
All careers go up and down like friendships, like marriages, like anything else, and you can't bat a thousand all the time.
We kind of reached this point in life where we don't really want to put out anything just to put something out. We really don't want it to be like, 'Two years are up. You've had your break; now do another record and get it out there.'
Do it [stand-up comedy] because it feels like the right thing to do. Do it because you don't want to do anything else. There is something in you that does not want you to do anything else other than comedy.
A friend to me has no race, no class and belongs to no minority. My friendships were formed out of affection, mutual respect and a feeling of having something strong in common. These are eternal values that cannot be racially classified. This is the way I look at race.
Like everyone else, I want to be challenged. I want to find out whether or not I am a coward. I want to see how much effort I can put out . . . what I can endure . . . if I measure up. Running allows that.
We were into Hendrix and Cream, who were like the heaviest bands around at that time. We just wanted to be heavier than everybody else!
When I was younger, I worked for several years composing music for commercials, but I was very happy to give that up. I didn't really like it, it was a way of financing my bands.
You see bands putting ads in the paper: 'drummer wanted'. I could never be in a set-up like that.
On The New Normal the thing I was probably more proud of than anything else is that we were just trying to put positive energy out there in the world, and we got to do it for one season and that's more than most.
The reason some younger women were willing to go out with my flabby, ageing self was that no one of their own age would put up with them for more than 10 minutes.
We were fans of Green Day and Nirvana or whatever, but the bands we really loved were Chicago bands that didn't really sound anything like Alkaline Trio.
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