A Quote by David Pajo
As I got older, it turned into hardcore punk. I started getting into more aggressive music.
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Folk-punk artists like This Bike Is A Pipe Bomb or Paul Baribeau were popular in the Florida punk community. I saw people early on combine roots music with more aggressive music.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
I started buying vinyl records when I got into punk music because, in the punk scene in New Jersey, vinyl was more like a necessity than a luxury.
When I first started playing, I definitely had a younger scum-punk crowd, but as my music developed more and after I started playing electric guitar - you'd think it would be opposite - but a lot of people were like, "You've changed." And I have more of an older audience now.
I guess, for me, what started me getting real excited about music was the New York punk and new-wave scene. All those bands looked back to the Velvet Underground and the Stooges and the Modern Lovers as well. But that was back when Television were punk, and the Talking Heads were punk.
People used the term "hardcore" loosely. A lot of bands use it as a jumping stone to the next level. Hardcore, it's got a lot more to with then music. It's a very passionate movement.
When I first started playing metal, lyrically, I sort of related a little bit more to the punk and hardcore scenes, where there was a lot more veganism and straight-edge people and people taking a stance for causes that they believe in.
When I was young I wanted to make films and then I got into folk music when I was about 12, and started going to this folk club in Auckland. My dad [Barry Andrews] was in punk and post-punk bands, so I guess it was a side of music I hadn't really listened to before - the really narrative form of songwriting.
When I was 17, death metal and extreme hardcore was the best music in the world to me. But as I got older, my palette changed and my thirst for melody and emotion just got bigger and bigger.
When I was talking a lot of trash, a lot of the guys knew that when I started getting serious was when I started getting a little bit quieter. If I started locking up somebody, then I'd start talking even more and I'd talk more aggressive. But once I stopped, they knew I was really serious.
In high school I was in a band called Goodfight, but it was more me running around on stage. It was very punk inspired. Then I started to get into indie-rock and older music and decided I wanted to write my own stuff. I quit the band. Around 16 or 17, I started recording myself at home on keyboard and piano.
When I first started, I was really nervous. You could hear my voice quiver. So I started drinking a bit and that helped. A lot of entertainers have a few drinks before going onstage and don't overdo it. Me, it turned into a bigger habit. But I stopped that. I was getting older, and I was thinking about my kids. There's enough roadblocks out there without throwing in more yourself.
I started playing violin because I was fascinated by how violin players could play so fast. I would buy their cassettes, and learn different concertos, but then I started rounding out my collection. My dad was a big jazz fan, so I just started hearing a lot more soul music. I loved Little Stevie Wonder, and I got really into him as a singer and a writer as I got older.
I dreamed of being an actress when I was a little kid because you don't know then that the writer writes everything the actor is saying. But as I got older, I got into college and became more aware that writing is another option, and I started getting into it, too.
I've always thought that "punk" wasn't really a genre. My band started in Olympia where K Records was and K Records put out music that didn't sound super loud and aggressive. And yet they were punk because they were creating culture in their own community instead of taking their cue from MTV about what was real music and what was cool. It wasn't about a certain fashion. It was about your ideology, it was about creating a community and doing it on your own and not having to rely on, kinda, "The Man" to brand you and say that you were okay.
I was born into hip hop and reggae, and then I started listening to more hardcore and punk bands like Bad Brains and the Suicidal Tendencies; they opened up a whole new world for me. They had something to say, and I could relate to them.
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