A Quote by David Paterson

I have had this desire my whole life to prove people wrong, to show them I could do things they didn't think I could do. — © David Paterson
I have had this desire my whole life to prove people wrong, to show them I could do things they didn't think I could do.
I've always had to prove myself to people growing up. I had to show them that I could do this and I could do that and paying no mind to what the critics said.
I've been fighting my whole career to show a different side and prove naysayers - not prove them wrong, because I don't think you should get your energy from negative people.
You always feel like you've got something to prove, whether it be to yourself or somebody else. I can think of plenty of people along the way telling me I'll be nothing, working at McDonald's, doing things like that. The whole time, you're just trying to prove them wrong.
There was a whole language that I could never make function for myself; it revolved around words like 'tortured', 'struggle'. 'pain'.. .I could never see these qualities in paint - I could see them in life and art that illustrates life. But I could not see such conflicts in the materials and I knew that it had to be in the attitude of the painter.
I listened, vaguely knowing now that I had committed some awful wrong that I could not undo, that I had uttered words I could not recall even though I ached to nullify them, kill them, turn back time to the moment before I had talked so that I could have another chance to save myself.
I think that people taking drugs occasionally are great. I think there's nothing wrong with it. But if you do it the whole time, you don't produce as good things as you could.
Certainly there are things worth believing. I believe in the brotherhood of man and the uniqueness of the individual. But if you ask me to prove what I believe, I can't. You know them to be true but you could spend a whole lifetime without being able to prove them. The mind can proceed only so far upon what it knows and can prove. There comes a point where the mind takes a leap—call it intuition or what you will—and comes out upon a higher plane of knowledge, but can never prove how it got there. All great discoveries have involved such a leap.
He believed that he must, that he could and would recover the good things, the happy things, the easy tranquil things of life. He had made mistakes, but he could overlook these. He had been a fool, but that could be forgiven. The time wasted--must be relinquished. What else could one do about it? Things were too complex, but they might be reduced to simplicity again. Recovery was possible.
You could analyze me and say that my father leaving and being absent was a motivator for early ambition, trying to prove myself to this apparition who had vanished. You could argue that me being a mixed kid in a place where there weren't a lot of black kids around might have spurred on my ambitions. You could go through a whole litany of things that sparked me wanting to do something important.
There's something about that idea of looking up and hoping, and thinking, 'I'm good.' Some things, like show business, are absolutely subjective. People look at a TV show and think, 'I could do that.' And maybe they could do that. But they're not.
I said that I thought the secret of life was obvious: be here now, love as if your whole life depended on it, find your life's work, and try to get hold of a giant panda. If you had a giant panda in your back yard, anything could go wrong — someone could die, or stop loving you, or you could get sick — and if you could look outside and see this adorable, ridiculous, boffo panda, you'd start to laugh; you'd be so filled with thankfulness and amusement that everything would be O.K. again.
Could you imagine me and the roasters taking on the GOP field? It would be the greatest show ever. Prove that you can take a joke. Prove that you're a man or woman of the people. Prove that you're not above criticism even in the form of a backhanded compliment.
I always used the media - if people were having a go I could use it as motivation to prove them wrong.
The whole decision to do my show was that I was trying to "true up" my work life and my personal life and I wanted the principles in both of them to be the same. And the only way that I could think of to do that was to make a show about exploring cultures through food that demonstrated those principles with every story that we told.
The Greek tragedies and comedies are like a roadmap to all the ways in which trying to live this rich, full life can go wrong. You could get into a war. You could find that you have members of your family on the wrong side of a political crisis. You could be raped. You could find that your child has gone crazy because of some horrible experience she's had.
Also, I'm drawn to moments of ambiguity, when things could go right or they could go wrong. I'm interested in discomfort. Discomfort is a place where we're still close enough to comfort to understand our unhappiness. Most of the things we desire are things that can destroy us.
This site uses cookies to ensure you get the best experience. More info...
Got it!