A Quote by David Peace
My father used to say, 'If you want to know the artist, look at the art'.
He was usually talking about Stanley Matthews or Don Bradman when he said it.
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He [Stanley Matthews] told me that he used to play for just twenty pounds a week. Today he would be worth all the money in the Bank of England.
The artist himself is actually the subject in everything after, say, 1900. Eventually, art becomes so removed from the community that you have to know about the artist before you can even look at the painting, because there is a conceptual idea going on.
As my poor father used to say In 1963, Once people start on all this Art Goodbye, moralitee! And what my father used to say Is good enough for me.
Growing up as a kid my father was British and a soccer player. His idol was a guy that passed the ball a lot, Stanley Matthews. Our family thought if you could be unselfish your teammates would always like you.
Whenever I've had a problem with any female in this entire game, I will say your name... I'm going to say your government. I'm going to look it up. I'm going to say your mother's name, your father's name, your kid's name. I want you to know that I'm talking about you.
I guess maybe my art can be said to be a protest. I see things a certain way, and as an artist I’m privileged in that arena to protest or say publicly what I’m thinking about. Maybe the strongest work I’ve done is because it was done with indignation. Considering myself as a feminist, I don’t want my work to be a reaction to what male art might be or what art with a capital A would be. I just want it to be art. In a convoluted way, I am protesting- protesting the usual way art is looked at, being shoved into a period or category.
When I used to say I wanted to play at Wimbledon, they used to laugh in my face and say, 'What are you talking about, you're from Hyderabad, and you're supposed to... cook.' That's one of the notions that people have in this side of the world - it is our 'culture', within quotes, you know, to say what a woman can or cannot do.
They say that art should stand the test of time. Life lasts a limited amount of time. Mountains and trees and earth will outlive human beings, but we don't know if they will be here always. Art does outlast the life span of its maker. Art should communicate to an increasing circle of strangers-people who do not know the artist, but come to know the work, and through the work, come to know something about the humanity of the artist that rings with their own humanity.
My sporting heroes were Ken Jones, Stanley Matthews, and Cliff Morgan.
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
If you want to be an artist, go to every art gallery, if you want to be in movies, see movies! You have to participate in whichever world you're trying to enter! You have to know what's going on. You can be the best artist in the world but if you don't know one thing about which gallery to go to, you're never going to get it shown in the right place. Learn a little bit about the business of whichever art you're trying to get into. Without it, you will be lost.
Say 'Dodgers' and people know you're talking about baseball. Say 'Braves' and they ask, 'What reservation?' Say 'Reds' and they think of communism. Say 'Padres' and they look around for a priest.
Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.
But if you're talking about fine art work, then I think you have to ask yourself some pretty deep questions about why it is you want to take pictures and what it is you want to say.
My mother's an artist. My father was an artist and so I assumed that was normal growing up in art and the art world and spending our time around the world seeing art, experiencing things. It was great.
What is the art experience about? Really, I'm not interested in making Art at all. I never, ever, think about it. To say the word Art, it's almost like a curse on art. I do know that I want to try to get closer to myself. The older I get, the more indications I have about what it is to get closer to yourself. You try less hard. I just want to be.
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