A Quote by David Petersen

Physicality is the basis of performance. — © David Petersen
Physicality is the basis of performance.
Responsibilites and expectations are the basis of guilt and shame and judgement, and they provide the essential framework that promotes performance as the basis for identity and value.
For sure, with golf it's not a physically demanding sport like tennis. That's what makes tennis great - you combine both things. It's a very mental sport and at the same time can be dramatically physical. But I do admire the mentality of sport more than the physicality because physical performance is much easier to practice than mental performance.
There are times when I consciously give the character something physical - a walk, the way he sits, how he talks, or his lack of physicality, which is like a physicality.
It's a very wise thing for people to rationally sit down and look at what the risks are not only on a daily basis, on a weekly basis, on a monthly basis, on a yearly basis, on a lifetime basis, and then plan one's life accordingly.
Fear of nothingness is fear of a certain physicality, a physicality whose phenomena I cannot predictably demarcate from its reality in advance.
Because of the increased physicality of the sport, golf apparel companies began incorporating more performance-based materials into their designs, as well as updating styles that had fallen out of fashion over the years.
The physicality of any character is always split up into fast, slow, high energy, low energy, what kind of personality he has. So that's where the physicality comes in. And flying through the air is just something you have to do if they ask you.
I was doing experimental noise-based music and I learned a number of things about performance. I was playing small shows - sometimes without a PA - where people couldn't really hear me so I relied a lot on physicality and a sense of discomfort and risk.
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
It is much more difficult to measure non-performance than performance. Performance stands out like a ton of diamonds. Non-performance can almost always be explained away
My take is that acting is acting. A performance is a performance. With performance capture, if you don't get the performance on the day, you can't enhance the performance.
The fundamental basis of above-average performance in the long run is sustainable competitive advantage.
People should be judged on the basis of their performance, not nationality, personality, education, or personal traits and skills.
The law demands good works and uses its terror--rejection, shame, fear of punishment, unanswered prayer, personal tragedy, etc.--as motivation. Here performance is a necessity to secure the blessings and avoid the curses. Grace, on the other hand, allows us to serve on a different basis--not from fear but on the basis of love and gratitude, from appreciation and gladness for blessings freely given and freely received.
Performance capture is a genre of acting which is not going to go away, it's going to proliferate more and more. I'm passionate about it, and I love it. It's the most liberating tool an actor has, because you are not limited by your own physicality, look, or color of your eyes.
I don't like to use the word 'fake.' A lot of our stuff is choreographed. But there is a lot of physicality that happens during the course of a match and our careers. There's a lot of physicality that happens to us and you can't deny that.
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