A Quote by David Petraeus

I really started to get a sense of how, if you will, special Zarqawi was, I guess, sort of midway through 2004. — © David Petraeus
I really started to get a sense of how, if you will, special Zarqawi was, I guess, sort of midway through 2004.
I didn't really realize that I could make it into a career until midway through the 'Ultimate Fighter' show when I started beating guys who had been training in the sport for a really long time.
Johnny sort of popped into my head midway through the first draft, and he wouldn't leave. But the more I thought about it, the more it made sense. In the first half of the movie, this guy is in the house not doing anything. I really needed an actor who's inventive and who will make enough idiosyncratic choices to make it entertaining to watch. And let's face it, Johnny Depp could make a nap interesting to watch.
When I'm the speaker, I know that special moment [just before speaking] is the only time I will have the entire audience's full attention. Unless an alien spaceship crash-lands on stage midway through the talk, the silence before I begin is the most powerful moment I have. What defines how well I'll do starts with how I use the power of that moment.
I am encouraged by the news today that United States special operations personnel found, identified and killed the terrorist Abu Musab al-Zarqawi, the operational commander of the al-Qaeda led insurgency in Iraq. Al-Zarqawi was the public face of the insurgency.
I was working in a gaming company, but I really wanted to make animation. I didn't really have anything special, no special tools at my disposal, so I used what I had on hand like Photoshop, and that's really how I started.
As far as Zarqawi is concerned, there is a network of extremists; it's not just Zarqawi.
I had a sense when I took the job that the 1976-77 Trail Blazers could be very good. We had made a lot of positive roster changes, but it wasn't until I had the team in training camp that I realized that this team could be special. Midway through that season, I felt we had a chance to win it all.
I'm sort of anti-Aristotelian. I want to get an entire life onstage while conveying a sense of how time feels, how unstoppable it is, and how we don't really know what's going on because as we're trying to weave, it's weaving us.
Honestly my style sense, I guess, started in high school when I was a volleyball player. That was just what I wore: leggings every single day with my sports bra so I didn't have to change into it in the girls' gym locker room and that's kind of how it started.
I guess we guess our way through life. How many times do we really know for sure?
I put a lot of pressure on myself to figure out what to say and, lately, I've started trying to work through things in my head. Before, I wouldn't trust my instincts or what I wanted to say and I really struggled with what I wanted to say. I guess it's just the classic case of writer's block and learning how to work through that. I'm slowly learning how.
America is so special, everybody wants to go there. And there's not a thought given to how it got special. It's just assumed it was made that way, I guess. It's just assumed that it's just there. And it's also assumed that it's always going to be there. Call it the golden goose or whatever you want but everybody saying that we have no right to keep anybody out because nobody kept us out, we all had to get here. Nobody here now actually started here. Of course, that's no longer true.
Through the history of my records, from when I started controlling the visual, I always used lower case letters for everything, I can't even explain why that is. The character is actually me, and I think once you see the film for the record, or see the video or really get in to the record, that will all sort of reveal itself to you.
I think with every character I get, there's an approach that's appropriate. I feel like my own job is to interpret what there is in the film and show that through me, sort of really channel myself through the role. If I feel I need to get into it to the point where I don't leave it, then I will.
I always had the feeling, even when I started, that my photography was meant to be archival in nature. Sort of like wine, I guess - they get better with age.
... if you know a person really well, the truth is you can't guess how they'll act in an altogether new sort of crisis. ... intimacy creates a special environment for two people, and the deeper the intimacy, the more they both live within it, the closer its boundaries usually are, so that all that lies beyond them becomes with time not less but more and more of a mystery.
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