A Quote by David Plotz

I have blocks of time where I'm working intently on something. — © David Plotz
I have blocks of time where I'm working intently on something.
I'm working with fragments a lot of the time and the connective tissue isn't there yet. I think of it the way comics work. You have a block here and a block here, and there's this white space in between. Somehow your mind makes the leap to connect those two blocks. Finding a way to trick your mind into connecting those blocks is one of the fun things for me about writing. You can have those leaps that will emerge into something, if you're lucky.
When I made my way across childhood to the tinny AM radio, it was dark. Lights out. I listened intently. More intently than I ever had before. Something was speaking to my unformed-ness like a long lost friend. Something that I had never met but forgotten nonetheless. I was 'realizing' that music was 'different' from other things in life.
Imagine blocks and blocks of no cocaine, blocks with no gun play.
I came from a two-parent household and my father is a PhD from west Africa, but at the same time I grew up five blocks from where Obama lived and five blocks from the projects.
It was flattering to have someone listen so intently to something that was so personal.
Obviously filming and working has consistently been a part of my life. I've never had a huge break of time when I wasn't working on something or promoting something.
I don't really like to write at a desk. I like to write when driving in a car. ... Once you're working on it, you're working on it all the time, and sometimes stuff'll come in the middle of the night, in a dream or something. Your mind is working on it all the time.
I live three blocks away from the beach, so every day I walk down to the beach to run or go swimming. Hiking is a big one for me - so long as it's something where I'm not thinking about working out, like in a contrived class or the gym.
A woman asked me recently, "What are the blocks to my happiness?" I said, "The belief that you have blocks."
I always tell reporter that you always have to be working. If you are at a party you can have a good time but if you hear something talking about something new or different that's going on you have to be working. In this business to be at the top of your game you really can't unplug.
Copy is not written. If anyone tells you ‘you write copy’, sneer at them. Copy is not written. Copy is assembled. You do not write copy, you assemble it. You are working with a series of building blocks, you are putting the building blocks together, and then you are putting them in certain structures, you are building a little city of desire for your person to come and live in.
My mind is in another planet behind the blocks. Sometimes I'm up in the blocks, and I'm like, 'What am I doing here?' I'm just not trying to think too much.
I'd be dong something creative - something I could express my personality through. I enjoyed working as a gardener before music consumed more of my time. I would probably be still working as a gardener, perhaps, and I wouldn't mind doing odd jobs on the side that were creative, but I'm not sure what they'd be.
'm constantly depressed by the Mexican gang members I meet in East L.A. who essentially live their lives inside five or six blocks. They are caught in some tiny ghetto of the mind that limits them to these five blocks because, they say, "I'm Mexican. I live here." And I say, "What do you mean you live here - five blocks? Your granny, your abualita, walked two thousand miles to get here. She violated borders, moved from one language to another, moved from a sixteenth-century village to a twenty-first-century city, and you live within five blocks?"
When a relationship with a director is really working, you have the same idea at the same time. You go, 'Look, this isn't working,' and they'll go, 'I know it's not working. What are we gonna do?' And you go and try something else.
People talk about the difference between working on stage and working on film. I think you could say that there are as many differences between working on low budget films and working on big budget films. You really are doing the same thing, but at the same time you're doing something vastly different as well.
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