A Quote by David Plotz

Writing a column, a weekly column for the New York Times, is really tough, and I wasn't prepared for the demands that that involved. — © David Plotz
Writing a column, a weekly column for the New York Times, is really tough, and I wasn't prepared for the demands that that involved.
I had a column for the 'Seattle Weekly' for five years, and there was one column that was called 'How To Be A Man,' and it was kind of tongue in cheek; it was really tongue in cheek. And I got a book deal from that column.
? weekly column is really tough.
When I did get married, and specifically after I got married and the New York Times style section featured my wedding in the vows column, which is really traditionally kind of seen as an elitist column, and it is, but I was happy to be in it. I thought it was good that they were covering a feminist wedding.
Now I'm instantly nervous about the demands of doing a weekly column.
Writing 'Animal Talk' column in MetroPlus gave me immense satisfaction. I quite enjoyed writing the column.
Colm Feore. Newspaper column, Norwegian water. Column of steel, column of virtue, just for God's sake, Colm.
I had written a lot about my dog dying before. I wrote a newspaper column about it and it turned out to be the most popular column I'd ever written. That and the lame Joni Mitchell column I did. But the dog column, my god! People love dogs. Anybody who writes regularly should know, when in doubt: dogs! If you're a columnist, when in doubt, write a column about the culture of narcissism - like a scolding column about the culture of narcissism - or write something about dogs. That's the homerun in my take.
I don't notice any sympathy for them in [ Nicholas Kristof] column. If you're writing a column saying the people for Trump are Nazis and Klansman and North Korean dictators.
A weekly column is not always a treat. It can be a tyranny. There are times when I have very little to say. There are times, every year, when I am weighed down with depression. At these times it takes days of slog to force the words on to the page.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
It had run as a column - I had worked at the paper since 1976, but the column had been running for 13 years, and I think it was a strong column, criticizing the war when the paper was supporting it.
So I submit to you that what we represent is a Fifth Column, a Fifth Column that represents the best aspirations that human community is capable of, a Fifth Column that is willing to look at the structure of the psyche in contrast to the mess of society, and willing to dream.
I tend to have a hard time working on pieces long before they're due. That's why I think the fact that I write a column is really good for me - the column has to be done, and there's no getting around it.
From 1999 on - until 2003 - I covered publishing in a weekly column for Wired.com and wrote for several other publications - altogether writing over 150 articles.
I used to write a monthly column for the 'New York Times' syndicate. But I stopped because I found it really hard to have one extreme opinion a month. I don't know how these columnists have two or three ideas a week; I was having difficulty having 12 things to say a year.
When Time got rid of my column, I thought it was all over. It was really sad. And then, I just started pushing it to lots of places. And I thought someone would run my column, I thought it was popular, and no one wanted it.
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