A Quote by David Pogue

I'm the know-nothing. I'm curious, I try to be entertaining, I try to translate the techno jargon, but in the end I'm the audience's representative. — © David Pogue
I'm the know-nothing. I'm curious, I try to be entertaining, I try to translate the techno jargon, but in the end I'm the audience's representative.
I try to be a good representative for country music. But as a country artist, it's important to move the needle and make a difference beyond your core audience. But you can't ever strategically try to accomplish that; then things get weird.
I try to have the right thing happen at the end of the case, try to have the case have a moral compass to it, try to do a little teaching while I'm at it because that's the, you know, that's the preacher in me.
I try not to invent; I try simply to translate the weird language of the natural world. And I'm not into absolute ownership of things.
I try to perform honestly during the fight, and I always remember that I'm a representative of Russia. I try not to bring any aggression. Just honesty.
I make comedies and I always try... I don't try but I allow to have at least 5% of the jokes or have some jokes that I know will be understood by only about 5% of the audience. It's that guy in the corner who gets it and laughs. But he has to have his jokes too. That's part of my audience. Part of my audience is the people who will only get certain things.
When I heard We Are the World do a techno version of one of my songs, I didn't know the word techno, but I said, "That percussion is astounding, will you help me do a piece?" Nobody said, "Techno isn't allowed for you."
I don't approach my movies with a target audience in mind. I try to make something that's true to the subject matter as much as possible, while still being entertaining and fun.
I learned with 'The Disaster Artist,' when I was writing the book, the audience will follow you if you really try to do something different. The biggest thing is, you want to be genuine and try to surprise your audience with kind of a new direction.
I try not to write jokes that are mean. I try my best to write jokes that are pretty universal and jokes that don't attack anyone. I know I often fall short of that and end up taking unfair swipes at people, but I try not to.
I never know how to give advice to a writer because there's so much you could say, and it's hard to translate your own experience. But of course, I always try. The main thing that I usually end up saying is to read a lot. To read a great deal and to learn from that.
I am really looking for a chance to direct. I feel like that's kind of the next frontier for me. I know that it's really hard to do, but I feel like I want to have a chance to try and translate something I've written and try and get a tone across.
Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
Whatever I try to do, I always try to give it my best and try to be a killer because, at the end of the day, if you don't work hard, you are not going to get food on your table.
I like to service the full audience of America, so I try to do things that are just real artistic, like when they don't have the most money, but it's a great piece of work. Then, there are big, fun comedies and big animated movies for kids. I want to do things for my nieces and nephews. Ultimately, we're trying to deliver something entertaining to an audience. As long as it can entertain the audience, and it makes me or my niece and nephew laugh or cry, then I think it's good.
Audience today like an honest approach to cinema; if you try to please the audience they come to know.
If you are going to do something, you have to do it for yourself, and that's what I try to do. I try to be authentic and try to be original, so that's what I try to be. A lot of people try to build big brands but have received bad advice, and they don't try to be authentic and real with themselves.
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