A Quote by David Quammen

I was a prodigy who learned how difficult writing was only after getting published. I paid my dues later. — © David Quammen
I was a prodigy who learned how difficult writing was only after getting published. I paid my dues later.
People say, You paid your dues, but I never paid any dues. It's always been a great trip.
I think I got spoiled and that writing a short story and getting it published, or writing a novel and getting it published, you pretty much get to do the first, second and third draft yourself without a whole lot of interference.
Somewhere along the line, I realized that I liked telling stories, and I decided that I would try writing. Ten years later, I finally got a book published. It was hard. I had no skills. I knew nothing about the business of getting published. So I had to keep working at it.
Just keep writing, and try to finish that novel. Remember, all authors started exactly where you are right now; the only difference between a published author and a non-published one is that the published author never stopped writing.
At 18, my first short story was published - I was paid a penny a word by a science fiction magazine. I continued to write, and five years later I published my first novel, 'Sweetwater.'
Some might say I didn't pay enough of my dues, and I think I've paid my dues.
I really appreciate an actor who has paid their dues and who has learned hard knocks and has been rewarded in the end.
Lord knows I've paid my dues getting through, tangled up in blue.
I really appreciate an actor who has paid their dues and who has learned hard knocks and has been rewarded in the end. I don't understand young actors who get off the turnip truck and land in Hollywood and get a great job. They do not realize how fortunate they are.
You could be a music prodigy at age 4, like Mozart, but you can't be a writing prodigy.
I've only half-admitted I'm a professional. I know I am, I've paid my dues, but one of the things I could do better when I'm acting is to really be rigorous and to think I know how to do it. To use my brain.
Right now-whether you're in writing courses getting "paid" in credit for writing, or burdened and distracted by earning a living and changing diapers-figure out how to make writing an integral part of your life. Publication is good, and gives you the courage to go on, but publication is not as important as the act of writing.
And that's how I wrote to NICAP, but then later, just very soon after that, like three weeks later, we started getting phone calls from government agents.
Writing is learned by imitation. If anyone asked me how I learned to write, I'd say I learned by reading the men and women who were doing the kind of writing I wanted to do and trying to figure out how they did it.
My first book published in France was translated and titled Exercices d'Attente in 1972. It was a collection of short works written and published in Romania. In 1973 I was ready to publish the novel Arpièges, which I had started writing in Romanian and of which I had published some fragments under the title Vain Art of the Fugue. Some years later, I finished Necessary Marriage.
Actors and writers need to come back to the theater because it's a place where you can learn. You have to pay your dues, and people who haven't paid their dues in the theater, I think, have a hard time creating a whole career.
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