A Quote by David Rees

I liked sharpening pencils and I was like, "Oh, I wonder if I could get paid to do it." And I figured it out and I did it. — © David Rees
I liked sharpening pencils and I was like, "Oh, I wonder if I could get paid to do it." And I figured it out and I did it.
I talked to people in the pencil industry and I talked to people as I was sharpening their pencils about the frustrations they have with pencils, so I really did do my research and I do know more about pencils than most people.
I made the rules I figured I could be the one to break them. I thought I would write about xenophobia, a hatred of foreigners. After I stated writing the story there was not a foreigner to be had. I did not want to just stick one in there so I could get a title out of it since it seemed like cheating. I never figured out how I could get out of this dilemma so I just called it X and weaved X traits into the story.
I take pop culture really seriously, I think it's really important, and the stuff that I make...I don't want it to be insubstantial, even if it's about something wacky, like sharpening pencils. I feel like I owe it to myself and I owe it to people who are really interested in pencils and I owe it to anybody to do my due diligence and give them something real.
My colleagues and I would spend a lot of our own money on copy, paper, and pencils. I just figured there are people out there who would want to help teachers like us if they could see exactly where their money was going.
Basically, if you could get a good trailer out of the script, Roger had no objection to you making a really good movie. He liked it if you did. He liked the more cleverness and ingenuity you could bring to it. He just wasn't going to give you any more money.
I'd always been a good athlete and I liked getting paid what they paid you for stunts. In those days, they paid you per stunt so I'd try to do as many as I could.
I haven't figured out why people like what they like. I don't know. I wish I did. I could sell that to everybody, man, and be a millionaire.
I didn't dare to dream of making money. But now of course, I've made many thousands of dollars sharpening pencils.
'Cars' has been a godsend. I mean, I get paid to talk into a mic. Honestly, I had no idea it would become as big as it did. When I first got the part of Mater, it was actually a small part. I did the voicing for it, though, and the animators liked it so much they rewrote the original script so that Mater could be in it more.
If I get stuck, I look at a book that tells me how someone else did it. I turn the pages, and then I say, 'Oh, I forgot that bit,' then close the book and carry on. Finally, after you've figured out how to do it, you read how they did it and find out how dumb your solution is and how much more clever and efficient theirs is!
When I was younger I didn't really know what a director did: I knew I loved movies and I figured the actors made it up! And then when you get to 12 years old you start thinking, What does a director do? It was really an organic beginning: this looks like something I want to do, I can't believe people get paid to do it!
I mean, being a stuntwoman never occurred to me until I gave up gymnastics and started doing martial arts and met people that were stunt people. I was like, 'What? Wait. You get to fight and flip and get paid?' I was like, 'Mum, dad, check this out - I could do this stuff and get paid instead of having you guys pay for me to do it.'
I liked writing before I figured out I liked acting.
I started sharpening pencils at the census and how that was a difficult time in my life because my marriage was ending and I had quit cartooning and I didn't know what to do with myself.
I wanted to get paid to sharpen pencils originally just because I thought it would be fun.
If you paid me $2 million, I'm sure I could lose my belly. But I don't get paid to look a certain way. I get paid to win fights. That's what I concentrate on.
This site uses cookies to ensure you get the best experience. More info...
Got it!