A Quote by David Rockwell

My work is strongly rooted in place and memory, in personal, formative experiences that took shape within very different environments. — © David Rockwell
My work is strongly rooted in place and memory, in personal, formative experiences that took shape within very different environments.
I Lived on the street when i was a kid, i wasn’t even at school, so i had a whole different set of experiences for those formative years. I was gone… i was in a very precarious place when i was younger.
A Catholic understanding of priesthood is so strongly rooted in the historic actions of Jesus and in all their antecedents in the place of sacrifice in life. And those things... they are rooted to the role of the man.
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
All of us roughly know what memory is. I mean, memory is sort of the storage of the past. It's the storage of our personal experiences. It's a very big deal.
'Hill St.' was very good, but it was very impersonal work for me. I wrote about that place as if I was a visitor. It wasn't what my life was like. It was a great place to learn the craft of how to shape a scene, but I wanted a chance to write about more personal themes and obsessions.
I find it interesting that people often seem to believe that authors of realistic fiction are directly translating their personal experiences into their work. The fact is that telling a story is a transformative experience. There is rarely a one-to-one translation onto the page unless you're writing memoir, and even then, memory is unreliable. I think that the best books feel emotionally true, and that truth has to be rooted in real-world experience.
I am very different as a parent to new kids. My work changed from being rooted in the sky to being rooted in the earth.
Memory in Greek mythology is the mother of the muses, and it is so for me. Both personal and societal memory move me strongly, and that is one of the sources of my writing.
Chicago PD has a rule that if you work in Chicago you have to live in Chicago. Some areas don't have that rule.So oftentimes you get people from different environments that get thrown into environments with people that they never spent time with before in they life. On a daily basis or in their personal life. The only access they had to these type of people was through the media.
Truly, learning appears to be a reverse geometric progression with experiences at one hour, one day, one month or one year dramatically more influential and formative than later experiences. As has often been quoted, 85% of brain development takes place by age 3, and yet we spend only 4% of our educational dollars by that point.
At least 90 percent of my work is in situ. For me, it's not only to work with the architecture and space, it's also to work with the time, to work with the people who are involved with the place. It's also dealing with history. It takes all this into account. Other works can be placed in different environments, but they always follow a rule. This is usually not the case for work in situ, because even if they are transported, they remain there forever or they are destroyed.
We found that the most exciting environments, that treated people very well, are also tough as nails. There is no bureaucratic mumbo-jumbo... excellent companies provide two things simultaneously: tough environments and very supportive environments.
When I arrived in Manchester for the first time, it took me five seconds to realize that it was a very different place than where I come from. It is cold, yes, but people also do things very differently than we do in Nigeria. The culture was different, and everything looked different.
Pain is a coward. He flees when faced by the irresistible power of the will-to-live, which is more strongly rooted in the flesh than the intensest passion is rooted in the spirit.
What I don't underestimate is everybody's deal is different and everybody's deal makes it difficult. And so it is incumbent upon employers to create flexible work environments that allow people to fulfill their professional and personal lives in a way that works for themselves.
Students of the psychedelic realm know that one's expectations are a powerful determinant of the direction, content, and outcome of the experience. So, we should say at the outset that the experiences recounted here were preceded by careful preparation, where the trip was presented as a learning experience and a process of self-discovery. They all took place in safe, supportive environments. They generally did not fit the stereotypical model of teenagers dropping acid at a rock concert, looking for awesome visuals and good vibes.
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