A Quote by David Rockwell

Play and transformation were a bit part of my childhood - using whatever materials were at our disposal, my brothers and I would constantly build and create fantasy worlds.
My mom just recently reminded me that I used to build these little miniature worlds outside at our country house and populate it with little figures.That whole thing [shooting is] about trying to create a world - there's something very connected to childhood and reverie and daydreaming and fantasy.
My father and his brothers and sisters were childhood Irish jig champions in the Bronx. At our family celebrations, they all get out and do the jig. And of course, the younger generation, me and my cousins and my brothers, we have our own Americanized renditions of the Irish jig, which is a bit more like 'Lord of the Dance.'
I also wanted to be like my brothers, physically, and yet not physically. So I would constantly - and I think nowadays it's taken for granted that this is what girlfriends do - I would constantly wear their shorts, put on their shirts. That did not seem odd because we were desperately poor for quite a while. It wasn't as if pretty little girlie things were available to me.
All children want to do is play in worlds they create and project on their external world. If allowed to do that, they are constantly building new neural structures for creating internal worlds and projecting them on their external world. And they build up an enormous self-esteem and feeling of power over the external world through their own capacities.
When I was growing up, kids would go outside and play all day and invent things. And my brothers and I pretended our picnic table was a ship one summer. Our bikes were horses, and our trees were forts. We turned everything in the world into make-believe.
The first couple of pictures I wrote and directed were dreadful, because I was dealing in worlds that were not familiar to me, and writing about fantasy. They were just not anything I was really connected to.
My family and I would never receive royalties on the revenue that my materials brought into the church; materials that were created on our own personal time.
My grandparents were wealthy; my mom was not. I would walk into these worlds of privilege and then walk back into this other world. My little brother is biracial. So race and economic class and sexuality - these were always issues that were a part of my life.
I played lots of fantasy games. I would create these worlds, and I would believe in them.
Building and tinkering were such a huge part of our childhood, whether we were trying to entertain ourselves as kids, helping our parents out on the ranch, or getting creative with school projects.
I've got four brothers, so with them and all our friends we had these sports parties in the basement. We'd play basketball, mini-sticks, baseball in the backyard, football, whatever it was. We were busy 24/7.
I didn't like the 'Survivor' shows because of the mean-spirited aspect, and women certainly were part of whatever conflict they would create.
My parents always did things a little bit differently. My three brothers, my sister and I didn't go to normal public schools - we were home-schooled. We didn't play Little League or other team sports. We were a skateboarding family.
People have been doing this for hundreds of thousands of years: using whatever is available to build shelter. If you ponder what could be used, then building materials are everywhere.
I had said that Le Guin's worlds were real because her people were so real, and he said yes, but the people were so real because they were the people the worlds would have produced. If you put Ged to grow up on Anarres or Shevek in Earthsea, they would be the same people, the backgrounds made the people, which of course you see all the time in mainstream fiction, but it's rare in SF.
I didnt like the Survivor shows because of the mean-spirited aspect, and women certainly were part of whatever conflict they would create.
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