A Quote by David S. Goyer
Da Vinci always seemed like the prototype Tony Stark to me.
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It is no secret that I have read 'The Da Vinci Code' several times. I genuinely believe that 'The Da Vinci Code' and 'Angels And Demons' are, by far, Brown's best works.
Tom Hanks, who starred in 'The Da Vinci Code,' turns out to be related to a number of the historic characters that feature in 'The Da Vinci Code,' including William the Conqueror and Shakespeare.
I will say that adapting a character like Da Vinci really wasn't that dissimilar from doing Batman or Superman. Because all three of these guys are really iconic figures, and yes, Da Vinci was historical, but there's clearly been a lot of mythmaking about him, and a lot of things have been attributed to him that may or may not have happened.
Art historians agree that Da Vinci's paintings contain hidden levels of meaning that go well beneath the surface of the paint. Many scholars believe his work intentionally provides clues to a powerful secret... a secret that remains protected to this day by a clandestine brotherhood of which Da Vinci was a member.
You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
They spell it da Vinci and pronounce it da Vinchy. Foreigners always spell better than they pronounce.
Once I get in my mind that it's going to go "da da da dadada da da," then it's kind of like filling in the blanks.
Leonardo da Vinci, one of the greatest creative thinkers of all time, strongly recommended the habit of meditation in the dark. He wrote: "For I have found in my own experience that it is of no small benefit, when you lie in bed in the dark, to recall in imagination, one after another, the outlines of the form you have been studying." He often awoke to find his problems solved. Da Vinci would often stand silent and motionless before a painting for hours, without using his brush, as though waiting for spiritual guidance.
It's kind of a catch-22 now because since the 'Da Vinci Code,' I have access to places and people that I didn't have access to before, so that's a lot of fun for somebody like me, but I'm always trying to keep a secret. I don't want people to know what I'm writing about.
When books come out on religion today, what are they about, well, Noah's Ark or when we go to heaven, does our body or soul go to heaven? What was the name of the book? The Da Vinci Code. Who is seated at the last supper? Well, as brilliant as Da Vinci was, he didn't know anymore about who was seated at the last super if there ever was a last super than you or I or Yogi Berra. Well, no one is bringing anything new to the table.
He bores me. He ought to have stuck to his flying machine.
[On Leonardo Da Vinci]
I'm not a car person. Three years after 'The Da Vinci Code' came out, I still had my old, rusted Volvo. And people are like, 'Why don't you have a Maserati?' It never occurred to me. It wasn't a priority for me. I just didn't care.
I love telling stories. When people interview me live I'm totally forthcoming about stories like that - as long as it's not going to be in print or recorded. It's just for whoever's in the audience. It's always been for me kind of fun and then everyone walks out of there, "She told this story about da da da" but nobody can prove it.
Getting to share a project with Anthony Hopkins is incredible. It's like watching Da Vinci paint or something - you're reminded why you do what you do.
I particularly like the catchphrase of Leonardo Da Vinci: Ostinato Rigore! (Which means, pretty much, Relentless Rigor).
I went to the Louvre in Paris, and I saw all the paintings and the Mona Lisa. You don't really see something like that every day. I was looking at it, and everything else in the room just shut out. Like, Leonardo Da Vinci painted this thing - this is unreal that he touched that. It had this crazy effect on me.
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