A Quote by David Salle
I think it's what any artist would want: to feel like their work can be taken in on a level of experience beyond the headline or the press release. I don't think any artist wants to be reduced to a press release. We have a whole industry whose function it is to process and present information. There's nothing wrong with it, but it's not the thing.
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I didn't know how to do a press release, so I'd call the local Assembly member and say, 'Hey, can you fax me one of your press releases?' 'Which one?' 'Any one.'
I think that any actor - any artist, period - would love to work with an artist like Lee Daniels.
When you record for a label, they own that material in perpetuity, meaning that they can release, chose not to release , or repackage it any way they so choose... with or without the permission of the artist.
Everyone wants to be loved, generally. If you released a record and nobody said anything, if you didn't get any feedback from people you don't know, i.e. the press, you'd be sort of upset. To me, any press is good press.
Press information is serious information, but press information is also manipulated by people who want you to think that this and that happened. So it's the old thing that you still cannot trust photography at all or you have to know who is distributing the photograph. In terms of cell phone photography, I think nobody cares about a photograph anymore because they're taking so many pictures just for fun.
What you have to go through to release a film is probably the most arduous set of tasks - compared to all the other things an artist can release, it's probably the most labor - intensive, especially if you don't have any money and not a large team.
I don't think, by the way, that any network would have given us their show to release all 13 episodes once ahead of them, and the same way, I don't think any studio will give us their movies to release the same day they are in the theaters - not yet, not yet.
I am saddened by the release by a national media outlet of my opponent's involvement in pornography. I strongly condemn the release of this information. Our campaign was aware of this information several months ago, and made a very determined decision to not use or disperse this information in any way, shape,or form.
The worst thing that can happen for a writer is for a writer to start believing their own press. I think the industry, and the comics industry in particular, is littered with the bodies of writers who believed their own press. And you can see the moment they did, and then the work nosedives.
I think any artist wants their artist to be seen and appreciated and enjoyed by as many people as possible.
I think America is less safe on a lot fronts, and I disagree with the release of the information from Dianne Feinstein. I think she's as much a traitor to this country at this point as I thought about Edward Snowden and his release of information about other investigations and abilities from an intelligence standpoint.
The first thing that any good artist has to develop is a sense of independence from the artworld. What really destroys a young artist is insecurity, the fear that everything could be taken away at any moment.
Movements are overrated and invented by the press. Ask any artist if they feel or felt part of a movement - the good ones will all say no.
I don't think that writers or painters or filmmakers function because they have something they particularly want to say. They have something that they feel. And they like the art form; they like words, or the smell of paint, or celluloid and photographic images and working with actors. I don't think that any genuine artist has ever been oriented by some didactic point of view, even if he thought he was.
The real risks for any artist are taken in pushing the work to the limits of what is possible, in the attempt to increase the sum of what it is possible to think. Books become good when they go to this edge and risk falling over it -when they endanger the artist by reason of what he has, or has not, artistically dared.
I think when companies are struggling, they don't want to talk to the press. The guys who write business books aren't interested in it because nobody wants to learn what it's like to be a mess, you want to learn how to be successful. That's slanted the whole thing quite a bit.
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