A Quote by David Salle
People tend to remember and mentally classify work according to how it looks, sometimes oblivious to the underlying intent.
Related Quotes
You cannot classify a whole group of people based upon their religion and determine their intent. That's not fair. It's not American.
Deconstructing the concept of race not only conflicts with people's tendency to classify and build family histories according to common descent but also ignores the work of biologists studying non-human species.
A lot of people tend to go into the music industry and be really - what do you call it? - oblivious to everything that comes with it.
The first thing you have to do is understand what success looks like. And to understand what success looks like you have to understand the intent. If you understand that intent is to make sure the sea lines are secure, then suddenly bombing Kosovo makes sense, because you don't want Serbia to reemerge as a major power.
People want to classify and say, 'OK, this is a gangster film.' 'This is a Western.' 'This is a... ' You know? It's easy to classify and it makes people feel comfortable, but it doesn't matter, it doesn't really matter.
People get sick and sometimes they get better and sometimes they don't. And it doesn't matter if the sickness is cancer or if it's depression. Sometimes the drugs work and sometimes they don't. Sometimes the drugs work for a while and then they stop. Sometimes the alternative stuff works and sometimes it doesn't. And sometimes you wonder if no outside interference makes any difference at all; if an illness is like a storm, if it simply has to run its course and, at the end of it, depending on how robust you are, you will be alive. Or you will be dead.
And Eleanor's husband was the man who did the interning. And I think they - Governor Warren, who was later to become such an impassioned Chief Justice on all sorts of human rights issues, was very big in the internment process. And I think that we simply sometimes tend not to understand or remember how people felt.
Writing is a futile attempt to preserve what disappears moment by moment. All that remains of my mother is what I remember and what I have written for and about her. Eventually that is all that will remain of [my husband] and me. Writing sometimes feels frivolous and sometimes sacred, but memory is one of my strongest muses. I serve her with my words. So long as people read, those we love survive however evanescently. As do we writers, saying with our life's work, Remember. Remember us. Remember me.
We tend to talk about the world in a myriad of ways - a microscopic world of elementary particles, a biological world of organisms and evolution, a social world of morality and meaning. But it's all the same underlying world. That's the underlying theme of 'The Big Picture.'
Unless you are oblivious to your own suffering, you have no right to be oblivious to other people's suffering.
I do realize the impulse to classify people by the food and art they consume is strong - sometimes I have to remind myself not to do that.
I... remember taking all kinds of risks and at the time being oblivious to danger and really thinking back then how I could really do anything that I wanted.
Sometimes, when you go to airport and look at the people, you see the worst looks - but the worst looks can give you more ideas than the best looks.
We were orbiting around the idea of intent and context. We would take the bus into work, and if you said, 'Here's a shirt you might like,' and I open it on my mobile phone, I'm not going to pull out my credit card and wallet. We thought, 'How does someone do this? An e-mail to yourself, or you try to remember?'
Sometimes, you can feel or see how a movie can... how you can do it. Sometimes it's just like seeing, "Can that work? Will people buy that? Can we do that?" And all those checkmarks.
I think bullfights are for men who aren't very brave and wish they were. If you saw one you'll know what I mean. Remember after all the cape work when the bull tries to kill something that isn't there? Remember how he gets confused and uneasy, sometimes just stands and looks for an answer? Well, then they have to give him a horse or his heart will break. He has to get his horns into something solid or his spirit dies. Well, I'm that horse. And that's the kind of men I get, confused and puzzled. If they can get a horn into me, that's a little triumph.
Related Authors
Asger Jorn Quotes
Danish
Painter
Domenico Gnoli Quotes
Italian
Painter
Henri de Toulouse-Lautrec Quotes
French
Painter
Jean-Auguste-Dominique Ingres Quotes
French
Painter
John Currin Quotes
American
Painter
Laszlo Moholy-Nagy Quotes
Hungarian
Painter
Marsden Hartley Quotes
American
Painter
Milton Resnick Quotes
American
Painter
Odd Nerdrum Quotes
Norwegian
Painter
Pablo Picasso Quotes
Spanish
Painter
Robert Bateman Quotes
Canadian
Painter
Robert Longo Quotes
American
Painter
Vincent Van Gogh Quotes
Dutch
Painter
Walter Darby Bannard Quotes
American
Painter