A Quote by David Sarnoff
The wireless music box has no imaginable commercial value. Who would pay for a message sent to nobody in particular?
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People just try to put you in a box and I don't see myself in any particular box. I'm making my own box. There's no way I would be able to make the music I'm making without dancing.
What if people really did that - sent their love through the mail to get rid of it? What would it be that they sent? A box of chocolates with centers like the yolks of turkey eggs. A mud doll with hollow eye sockets. A heap of roses slightly more fragrant than rotten. A package wrapped in bloody newspaper that nobody would want to open.
I overanalyze things way too much, to the point where it affects my life. Like, when I'm talking to a boy, I'll overanalyze a text message he sent. And I have to think to myself, 'Just chill out. Some guy sent me a text message. That's all. Don't read something into it that's not there. Just be glad he sent you a text message!'
I got hit up for a tampon commercial and so I asked [JD and Jo] if they had anything. Jo sent that over and I was like, "I love this track. Oh my god. It's so upbeat. It's so positive. It would be so great for a tampon commercial." That commercial never came through, so then I just had it. I was like, "That would be great for a Hillary [Clinton] song." I think it's so funny that it could be a tampon commercial.
You asked me about Queensland in particular and regional Queensland where our message of jobs and growth is resonating strongly because that's what is on people's mind, and when the election results are in on 2nd July, I'm confident that that message will be translated into the ballot box.
Producers generally don't like me; directors do, generally. Convincing the producers is hard. They can't see the commercial value behind such a face, nor would they get a commercial value, necessarily - and I don't mean that in a good way or a bad way.
Casting my fate to the heavens, quite literally, I decided to go wireless. Completely wireless. All wireless, all the time, everywhere.
When Pandora doesn't pay, and bars don't pay, and weddings don't pay, and nobody buys CDs or shirts or concert tickets or lessons, then the musician can't make a living making music.
Our dream was that someday nobody would talk on a wired telephone. Everybody would talk on a wireless phone.
I knew if I ate anything of hers again, it would lkely tell me the same message: help me, I am not happy, help me -- like a message in a bottle sent in each meal to the eater, and I got it. I got the message.
I was in 'The Voice of Finland' in 2012 and my girlfriend - fiancee now - watched the show, liked me a lot and sent me a fan message through Facebook. She wrote, 'I have never, ever sent a message like this to anybody, but I just had this intuition that I have to send this to you.'
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
If I put a value on my music, and no one's prepared to pay that, then more fool me, but the idea that the value is created by the consumer is an idiot plan; it can't work.
We can watch every time someone looks at a profile. Do they choose to send that person a message? We can look at every message that's sent, and we can determine, was that message replied to or not.
Smart mobile phones connect you with 1 billion users worldwide, basically for free - you don't pay for the phone, you don't pay for the Internet, you don't pay for the wireless connectivity. Social networks let you add a new customer or a new agent, again for free.
[Rock 'n' roll] music started out with some cat banging a log with a couple of pieces of stick. He sent a message across a river and although the cat on the other side receiving the message didn't know the exact words, he did understand basically something about what was being communicated.
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