A Quote by David Schwimmer
If I were given a choice between two films and one was dark and explored depraved, troubled or sick aspects of our culture, I would always opt for that over the next romantic comedy.
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I am very romantic. Given a choice, I'd do only romantic films!
I'm currently working on a romantic comedy between me and Philip Seymour Hoffman. So my next step is to write something so mind-blowingly spectacular that he has no other choice but to agree to do it! Wish me luck.
What President of the Airline is doing is, he's urging everyone to give up their frequent flyer miles for sick kids... But as I was reading this, there were two empty seats next to me. Why can't sick kids sit there? If they're so concerned with sick kids, shouldn't they have like a pen of sick kids next to the gate?
I don't know what to expect out of my films. My first two films were with extremely talented directors, and they didn't work. And my next two films were with newcomers, and they worked well. So I've stopped expecting anything from my movies.
I would like to do a romantic comedy, but not a romantic comedy that is cheesy. I want to do an old romantic comedy like 'Roman Holiday' or 'My Fair Lady.'
I would like to do a romantic comedy, but not a romantic comedy that is cheesy. I want to do an old romantic comedy like Roman Holiday or My Fair Lady.
I had always drawn, every day as long as I had held a pencil, and just assumed everyone else had too…Art had saved me and helped me fit in…Art was always my saving grace…Comedy didn’t come until much later for me. I’ve always tried to combine the two things, art and comedy, and couldn’t make a choice between the two. It was always my ambition to make comedy with an art-school slant, and art that could be funny instead of po-faced.
I am not considering shifting my image from action to comedy or romantic comedy. I have done or am doing films which are action-oriented: comedy roles and romantic-comedy roles.
The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our 'me' generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
The decision must be made between Judaism and Christianity, between business and culture, between male and female, between the race and the individual, between unworhtiness and worth, between the earthly and the higher life, between negation and God-like. Mankind has the choice to make. There are only two poles, and there is no middle way.
As James Surowiecki noted in a New Yorker article, given a choice between developing antibiotics that people will take every day for two weeks and antidepressants that people will take every day for ever, drug companies not surprisingly opt for the latter. Although a few antibiotics have been toughened up a bit, the pharmaceutical industry hasn't given us an entirely new antibiotic since the 1970s.
There's a rich history at Westboro of parodying pop culture. The thing about pop culture is that it gives us a shared language. We were constantly trying to co-opt things that were popular to deliver our own message.
When I knew I wanted to write a novel that would be a twist on a conventional romantic comedy, I re-watched 'When Harry Met Sally,' as well as the other two films in the indomitable Ephron trifecta - 'Sleepless in Seattle' and 'You've Got Mail.'
As human beings, we can relate to our dark aspects and trying to overcome our dark aspects as Xena did.
Suppose, then, that all men were sick or deranged, save one or two of them who were healthy and of right mind. It would then be the latter two who would be thought to be sick and deranged and the former not!
If we want to be women of contentment, we must choose to accept our portion, our assigned roles from God. We must make the choice to dwell on the positive aspects of our role in life. If we don't we'll be discontent, always wanting something different from what we've been given.
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