A Quote by David Schwimmer
The biggest effect celebrity had on me was that I stopped being open and receptive and started to walk around with my head down.
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I remember being in high school and this guy saying to me, 'You'd actually be good-looking if you didn't joke around so much.' That affected me, and so I stopped joking around, and I stopped being a goof because I thought people would like me better.
Everybody recognizes me, so I can't walk down the street without being stopped.
Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.
They had a silent staring contest, but Percy didn’t back down. When he and Annabeth started dating, his mother had drummed it into his head: It’s good manners to walk your date to the door. If that was true, it had to be good manners to walk her to the start of her epic solo death quest.
I was a very private person. I never had an open social media account. So, for me to walk down the street and have people say, 'Hey, Tan!' I turn around thinking, 'Do I know you?'
If you do not yet know where you fit, I suggest you try seeking it in receptive silence. I used to walk amid the beauties of nature, just receptive and silent, and wonderful insights would come to me.
I don't think about being famous, really. Being an author, I don't generally get stopped as I walk down the street. It's not like being a movie star.
I was this kid, and I was scared to death of all these pros around me... My head would shake, and my hands would shake, and I discovered if I kept my head down and looked up, my head would not shake, so I started to do that when I could, when it was appropriate in a scene.
Around 1988 I started to 'dread' my hair; because it's curly, it would go into dreads naturally if I stopped combing it. But the dreads went down only one side, so I had to have extensions put in.
Part of it has to do with the discipline of being actively receptive. At the core of this receptivity is a process that might be called soft eyes. It is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore.
I stopped hating and started just being. My whole life, I had been the most defensive person you'd meet, unable to tolerate any criticism. But now I started listening and being.
I had an apartment and I had a neighbor, and whenever he would knock on my wall I knew he wanted me to turn my music down and that made me angry 'cause I like loud music... so when he knocked on the wall, I'd mess with his head. I'd say Go around I cannot open the wall I dunno if you have a door on your side but over here there's nothin'. It's just flat.
As an author, I don't really think too much about being a celebrity. It's not like being a movie star or a TV star. It's not as if people recognize me when I walk down the street. That hardly ever happens, and it's just as well. But it is great when people know my books, when I walk through an airport and see them in the bookstore, or when I see someone reading a book on a plane or on a train, and it's something I've written. That's a wonderful feeling.
I don't walk around with fear. I walk around with strength. I believe in cause and effect.
Meeting my wife Amanda was the best thing that could ever have happened to me. She wasn't going to let me screw around my life anymore, so I stopped drinking and started behaving like a decent human being.
Maybe I've been a small part of the democratisation of celebrity, because I've been fascinated by it, and when it started to happen to me to the very limited extent that it happens to writers in North America, I was exposed to people who had the disease of celebrity. People who had raging, raging, life-threatening celebrity, people who would be in danger if they were left alone on the street without their minders. It's a great anthropological privilege to be there.
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