A Quote by David Schwimmer
When you're playing the same character for a decade it's natural that there are moments when you want to try something new.
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I'd play the same character for ten years if the words and the moments that I'm playing are authentic.
Taking on an iconic character is difficult, sure, people associate different actors with a character that you're playing, but there's something in rehearsing and developing a new character.
I have a gut reaction to stuff that I read. Either it's a filmmaker that I really want to work with, or it's a story that I really want to be a part of and help serve, or there's a character that I feel I can bring something unique to. That's really what it's about. I would go crazy, if I just relied on the same tricks and did the same thing, all the time. It was just be no fun, at all. I really do need to try something different, every time out, and do something that scares me, a little bit.
Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves.
I like playing these awkward moments in between that build relationships. I don’t ever want to play that character that grabs the girl and has my way with her. That’s just not who that character is. If Daryl falls in love with you, he’s going to love you for the rest of his life.
Because I always try natural looks, I want to try something very strong, bold, and provocative - something bad girl, kind of.
I can't wait to wake up and try something new. I can't sleep at night because I want to try something new.
I think turning 30 - and same with turning 21, 25, or turning 18 - those are moments in life where something new is expected of you, or you expect something new from yourself.
I try to never repeat a character. I always try to find something new and fresh and interesting that inspires me.
Breaking up is a natural evolution when you try to figure out what you want in life. If you're with an individual who isn't moving in the same direction and at the same rate that you are, it ain't going to work.
As a father, you find yourself telling this to your kids a lot. My son, when he didn't want to play baseball, I was like, "Buddy, try it. Try playing baseball and if you don't like it, that's fine. But I want you to try it. I want you to try as hard as you can at it. And then we'll talk about it." You kind of have to give yourself the same pep talk. As a 43-year-old, you're like, "You know what? Just, try it. Try as hard as you can, give it everything you got and then accept the results."
You're always trying to do something that, on one hand, honors all those stories, that is still in some way the same character that Stan Lee and Jack Kirby were doing back in the sixties. But, at the same time, you want to be able to tell new stories and not just rehash what's come before.
I've been playing the same character on Supernatural for the past nine years and while that character has gone through a lot of different iterations, it's nice to step out and just do something altogether different.
I try something new every night. It's an hour show; if it works I maybe try it a few more times and then move that off and try something new. It's a great workshop for me.
There is a sociology of horses, as well as a psychology. It is most evident in the world of horse racing, where many horses are gathered together, where year after year, decade after decade, they do the same, rather simple thing - run in races and try to win.
I think what we want to do is - when we choreograph, when we design choreography, we try to take it from a character standpoint first. Obviously you write a script and it's like, a Jason Bourne or a John Wick or something like that, you don't start choreographing double twisting wire moves and backflips, or doing the splits. You try to keep it so it fits the character, or the tone of the film.
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