A Quote by David Sedaris

We can't profess love without talking through hand puppets. — © David Sedaris
We can't profess love without talking through hand puppets.
The question is, do we have a shadow government? And, if we do, who are those intelligent minority that is -- that is guiding us through? And where are they guiding us to? If you skip past all of the puppets and the strings, if you stop looking at the puppets themselves, you have to see who's behind the puppets. Who is choosing the puppets and the players? Who's the puppet master? George Soros.
What puppets we humans are - what puppets! Born without permission, dying when it is neither pleasant nor convenient, we are made to march or crawl through life on the edge of a precipice from which at any moment we may be knocked over. And we're told we should believe the experience is a privilege!
Funny enough, there have been puppets in everything I've written because I have a huge love of puppets. There's a big puppet musical at the end of 'Sarah Marshall.' I wrote 'The Muppets.'
Too many of us hear without heeding, read without responding, confess without changing, profess without practicing, worship without witnessing, and seek without sharing.
We're also irreverent, we have an irreverent attitude towards puppets, as well. So a lot of what we do is we're kind of making fun of the puppets for being puppets, even while we're doing it. And again, that all feeds into the absurdity of this show.
It may be that we are puppets-puppets controlled by the strings of society. But at least we are puppets with perception, with awareness. And perhaps our awareness is the first step to our liberation. (1974)
They belonged to that vast group of human automata who go through life without neglecting to perform a single one of the gestures executed by the surrounding puppets.
Puppets allow a person to express things through this surrogate that wouldn't normally get expressed. You know there's famous techniques of puppet therapists. Put this hand puppet on and tell me what the problem is.
It’s not the body that people love, but the soul. The body is a temporary vehicle. Without the soul, the body is like a car without a driver. I see through my eyes, smell through my nose, taste through my tongue, hear through my ears, feel through my skin, think through my brain, and love through my heart. But who am I? Who is the witness, enjoyer and sufferer that activates my body?
I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.
Static puppets, I wanted them to move, they're looking out the windows, but we didn't have time to rig those. I have more ideas than I can execute also every time that I do anything. I put the puppets in because people love 'em. I'm a populist in that sense.
Maybe nothingness is to be without your presence, without you moving, slicing the noon like a blue flower, without you walking later through the fog and the cobbles, without the light you carry in your hand, golden, which maybe others will not see, which maybe no one knew was growing like the red beginnings of a rose. In short, without your presence: without your coming suddenly, incitingly, to know my life, gust of a rosebush, wheat of wind: since then I am because you are, since then you are, I am, we are, and through love I will be, you will be, we will be.
I do a public access show with puppets. Puppets called actors, TV and movie stars.
Puppets interacting with other puppets is super complicated. You're juggling ten balls instead of three.
If ever you want to touch the hand and the heart of God Almighty, you can do it through the body of someone you love. Anytime. Anywhere. Without no middleman.
That is a considerable amount of puppets. But ... [Proceeds to summon one hundred puppets of his own] With this, I took down a whole country
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