A Quote by David Sedaris

People are often frightened of Parisians, but an American in Paris will find no harsher critic than another American. — © David Sedaris
People are often frightened of Parisians, but an American in Paris will find no harsher critic than another American.
To the Parisians, and especially to the children, all Americans are now 'heros du cinema.' This is particularly disconcerting to sensitive war correspondents, if any, aware, as they are, that these innocent thanks belong to those American combat troops who won the beachhead and then made the breakthrough. There are few such men in Paris.
I love a certain kind of acting style that I would call non-American, which tends to be more detail-oriented and less externalized. There's a kind of naturalism that I often find in non-American actors. I also find that quality in the American actors I work with, but I like to bring in those influences creatively.
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
The American man is a very simple and cheap mechanism. The American woman I find a complicated and expensive one. Contrasts of feminine types are possible. I am not absolutely sure that there is more than one American man.
I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
The best of America drifts to Paris. The American in Paris is the best American. It is more fun for an intelligent person to live in an intelligent country. France has the only two things toward which we drift as we grow older—intelligence and good manners.
I didn't go to Paris until I was a grown-up in 1965. And when I went to Paris, it was the Paris I knew only from American movies.
I can think of no faster way to unite the American people behind George W. Bush than a terrorist attack on an American target overseas. And I believe George W. Bush will quickly unite the American people through his foreign policy.
I think Barack Obama 'll talk about the actions that we've taken, not just since 9/11, but since Paris, to help keep the American people and American interests safe.
Baseball is the exponent of American Courage, Confidence, Combativeness, American Dash, Discipline, Determination, American Energy, Eagerness, Enthusiasm, American Pluck, Persistency, Performance, American Spirit, Sagacity, Success, American Vim, Vigor, Virility.
Far from being dominated by ideas from Paris and New York, Latin American artists were often the innovators. They were doing drip paintings in advance of Pollock, creating language art before the American conceptualists, and fashioning shaped canvases decades before Kelly or Stella.
We believe one magnificent highway of this kind [the Lincoln Highway], in actual existence, will stimulate as nothing else could the building of enduring highways everywhere that will not only be a credit to the American people but that will also mean much to American agriculture and American commerce.
I do love my country. I don't think I'm particularly a good American. I don't know what makes a good American. Other than somebody who - I like people who let other people alone. I think that's a pretty good American. And I keep my hands to myself. So I'm an OK American.
I stand before you tonight as a young American, a proud American, of a generation born as the Cold War receded, shaped by the tragedy of 9/11, connected by the digital revolution and determined to re-elect the man who will make the 21st century another American century - President Barack Obama.
American imperialism has suffered a stunning defeat in Indochina. But the same forces are engaged In another war against a much less resilient enemy, the American people. Here, the prospects for success are much greater. The battleground is ideological, not military. At stake are the lessons to be drawn from the American war in Indochina; the outcome will determine the course and character of new imperial ventures.
There are artists in Belgium who try to imitate American artists. But it's like, if you're Belgian pretending to be American, you won't be better than the American because you aren't American. You have to do your own stuff.
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