A Quote by David Sedaris
The Korean man nodded, the way you do when you’re a foreigner and understand that someone has finished a sentence.
Related Quotes
In America, I'm a foreigner because of my Korean heritage. In Asia, because I was born in America, I'm a foreigner. I'm always a foreigner.
A criminal may improve and become a decent member of society. A foreigner cannot improve. Once a foreigner, always a foreigner. There is no way out for him.
He's a wallflower." And Bob nodded his head. And the whole room nodded their head. And i started to feel nervous in the Bob way, but Patrick didn't let me get too nervous. He sat down next to me. "You see things. You keep quiet about them. And you understand.
Everybody has to think for himself. A right way for a big man may not be a right way for a small man. A right way for someone who is slow may not be a right way for someone who is quick. Each person must understand his weaknesses and his strengths.
When I finish a sentence, after much labor, it's finished. A certain point comes at which you can't do any more work on it because you know it will kill the sentence.
I revise constantly, as I go along and then again after I've finished a first draft. Few of my novels contain a single sentence that closely resembles the sentence I first set down. I just find that I have to keep zapping and zapping the English language until it starts to behave in some way that vaguely matches my intentions.
All questions of process require an answer that begins with a very important sentence, and the sentence is: 'Everybody is different.' Whatever way of working you name - methodical, haphazard, gets up early in the morning, sleeps all day, works at night, revises immensely, never revises at all - someone has made great work with that way.
You think you're the foreigner here, and I'm the American, and I just look the other way while the President or somebody sends down this and that . . . to torture people with. But nobody asked my permission, okay? Sometimes I feel like I'm a foreigner, too.
What people in the U.S. have to understand is that there is sometimes a deep political content in my work that's rooted in the postwar reconfiguration in Europe. I'm still a foreigner in America. I'm someone who's bringing nuanced stories from somewhere else that will always be harder to take.
I love Korean rice and Korean food in general. Korean barbecues are cool - there's a table with a hole in it with fire coming through, and we throw meat on it.
How can you trust a man who can talk for 5 minutes and you cant understand a sentence of it!
If you're in the rural South, you don't get Korean TV, unless you can find a Korean grocery guy who has been taping Korean programs and then offering them.
I have a very unsatisfactory and incomplete knowledge of Brooklyn and cannot discuss specifically either what you can do here or what possibilities the city shows in an artistic way. I am not a foreigner but coming here as I do after a long stay abroad, I think things here strike me much as they strike a foreigner.
A real friend is someone you say a sentence to and they know ten thousand words behind that sentence.
Karrin, eh?" Thomas asked. I nodded. "She's real serious about order. A man dying, she can understand. A man coming back. That's different." "Isn't she Catholic?" Thomas asked. "Don't they have a guy?
When I meet fans who relate to Korean films and dramas even though they don't understand the language or the culture, and when they talk about studying Korean and traveling to Korea because of those films and dramas, I think to myself that this is the true force of the Hallyu wave.
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