A Quote by David Sedaris
A week after my drugs ran out, I left my bed to perform at the college, deciding at the last minute to skip both the doughnut toss and the march of the headless plush toys. Instead, I just heated up a skillet of plastic soldiers, poured a milkshake over my head and called it a night.
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The other day, a doughnut shop in Portland called Pip's Originals tweeted me telling me that they named a doughnut after me called the 'Dirty Wu.' It is a cinnamon sugar doughnut drizzled with honey and Nutella. It was so good. I just won the Oscar in the sci-fi world.
I have the biggest sweet tooth, and just recently a doughnut shop in Portland called Pip's Original introduced a doughnut inspired by me called the 'Dirty Wu.' It is a cinnamon-sugar doughnut with sea salt, drizzled with honey and Nutella.
So he has no head' 'Thats usually what headless means' 'No head at all?' 'Your really not getting the whole headless thing are you?' 'Its just kind of silly even for us.
What’s goin’ on?” I ask as I take a seat. “Obviously not this.” He tosses me my shirt from last night. “I found it on the floor of the den. It’s obvious there was some hanky-panky going on.” Okay, so he knows we fooled around. But at least he didn’t find Kiara’s bra on top of my shirt. “Yeah . . . things kinda got a little heated after you and Mrs. W. left the den last night,” I tell him.
For me, it's always a little sad getting out of bed. Every morning after I get up, I always gaze longingly at my bed and lament, 'You were wonderful last night. I didn't want it to end. I can't wait to see you again.
The thing I'm always trying to do when I write is hit that sweet spot where the book both keeps you up late at night, and yet a week after you've finished, it still pops back into your head.
i made myself a snowball As perfect as can be. I thought I'd keep it as a pet, And let it sleep with me. I made it some pajamas And a pillow for it's head. Then last night it ran away, But first - It wet the bed.
It might sound crazy but you put your money up and take out a little every week. You put yourself on a salary instead of getting $7,000 this week, $20,000 next week and $5,000 the week after that. Take a $1,000. You got your toys, you got everything and your money under your mattress. Break it down and have a salary to take care of you and your family and stretch that money.
It's so nice to run into people even now who - if I'm out, a couple of times a week, somebody comes up to me and says, 'I just loved you in '50 First Dates.' That movie is my favorite movie. I just watched it last night.' In my head, I'm always thinking, 'You're kidding me. I never watch anything twice.'
I want to focus on what are called kitchen table issues. You know, the ones that keep you up at night, like the cost of childcare and college and prescription drugs and so much else.
My ritual it's kind of an involuntary ritual. I lie awake the night before, worrying about award ceremony. Try and think of something to write in case I actually get up there. I write it at the very last minute like either in the car on the way to the ceremony or, you know, in the bathroom before the show starts. It's all of jumbled mess written on a napkin or a piece of toilet paper. That's my good luck ritual. It's just like being in college waiting for the last minute to do everything.
In my view, the most important lesson we can learn from Dr. King is not what he said at the March on Washington but what he said and did after the march. In the years following the march, he did not play politics to see what crumbs a fundamentally corrupt system might toss to the beggars for justice.
If I said I wouldn’t toss him out of my bed for eating crackers, would you leave me alone? (Grace) Maybe. What else wouldn’t you toss him out of bed for? (Selena) Eating greasy grimy gopher guts? (Grace)
This is not good. This is not right. My feet stick out of bed all night. And when I pull them in, oh dear! My head sticks out of bed out here!
The way that 'Vampire' was born was over a lunch. We got asked to do the show. A week later, we were hired. A week later, we were writing it. The minute we handed it in, it was ordered. The minute we shot it, it was picked up. Then we started working. There was never any, like, 'OK, here's what this show is...' We had to figure it out as we went.
Yet another last night. The last night at home, the last night in the ghetto, the last night in the train, and, now, the last night in Buna. How much longer were our lives to be dragged out from one 'last night' to another?
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