A Quote by David Sedaris

...clatter of a typwriter suggests that you're actually building something. — © David Sedaris
...clatter of a typwriter suggests that you're actually building something.
There is something about the melody of 'Thunder Road' that just suggests 'new day.' It suggests morning; it suggests something opening up.
Believe in better, which is a corporate phrase rather than a political phrase. We don't want more. We're not looking for quantity. We're looking for quality. Believe in better suggests intergenerational change. It suggests product innovation. It suggests something better for the future.
The reality of a poem is a very ghostly one. It suggests, it suggests, it suggests again.
An interesting opportunity is actually not just thinking about building organs for patients, but actually building little tiny organs that you could do drug screening on.
Androgyny suggests a spirit of reconciliation between the sexes; it suggests, further, a full range of experience…it suggests a spectrum upon which human beings choose their places without regard to propriety or custom.
Now the noisy winds are still; April's coming up the hill! All the spring is in her train, Led by shining ranks of rain; Pit, pat, patter, clatter, Sudden sun and clatter patter!... All things ready with a will, April's coming up the hill!
Don't spend months building something without any idea if someone actually wants it.
Las Vegas suggests that the thirst for places, for cities and gardens and wilderness, is unslaked, that people will still seek out the experience of wandering about in the open air to examine the architecture, the spectacles, and the stuff for sale, will still hanker after surprises and strangers. That the city as a whole is one of the most pedestrian-unfriendly places in the world suggests something of the problems to be faced, but that its attraction is a pedestrian oasis suggests the possibility of recovering the spaces in which walking is viable.
So the job of building structures, building a constitutional structure, is not just to punish those who behave badly but actually to protect people from their own temptations.
Olympics are three times more likely to be employed than people of a similar age, ethnic and socioeconomic status who have not been participating. It's a correlation, not a causation as far as the statisticians go, but the fascinating question is; Is there something in participation in sports, in community-building, confidence building, self-image-building, strength building, social networking - that greatly enhance employability?
I grew up in a household that revered building businesses. It wasn't thinking about leadership; it was more about building something. To build something, you ultimately have to lead.
Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
Culture is a sham if it is only a sort of Gothic front put on an iron building -- like Tower Bridge -- or a classical front put on a steel frame -- like the Daily Telegraph building in Fleet Street. Culture, if it is to be a real thing and a holy thing, must be the product of what we actually do for a living -- not something added, like sugar on a pill.
It occurred to me that building a company was the best way to align a group of people towards building something great. And its really... it's a good organizational structure where you can really reward people. If they're building something that's good, you can you work with partners and reward them if the product that you're developing work well. It's a good way to get the best people involved to build something very good.
One of the dilemmas of architecture in general is that there is a Catch-22 - you can't actually get to be commissioned to do certain types of building until you've already built that type of building. So it seems to be incredibly hard to get going.
Any play that's making a point is less interesting than something that stays with you and suggests something further.
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