A Quote by David Sedaris

Sometimes people say, do you want a drink? And I say, oh, I'd like to, but I'm a tragic alcoholic. I always say tragic. I'm a tragic alcoholic. — © David Sedaris
Sometimes people say, do you want a drink? And I say, oh, I'd like to, but I'm a tragic alcoholic. I always say tragic. I'm a tragic alcoholic.
I had to accept that I was an alcoholic, that was the main thing. I think you've got to. But I try not say that I'm an alcoholic. I prefer to say that it's a disease I've got.
Whereas the comic confronts simply logical contradictions, the tragic confronts a moral predicament. Not minor matters of true andfalse but crucial questions of right and wrong, good and evil face the tragic character in a tragic situation.
Nobody understands that by the time the addiction has set in the alcoholic is mandated to drink ... he cannot not drink! Nobody wakes up in the morning and says, 'Jiminy Cricket, I feel sensational! My life is really in great shape! I think I'll become an alcoholic!' I firmly believe that when a shaking-to-pieces alcoholic says he needs a drink or he will die, he means it.
At Harvard I was taking an African-American studies class, and we were reading about the tragic mulatto. Invariably, the tragic mulatto can't fit in either world and flings herself off a bridge. So I'm reading, and I'm like, 'Oh, my God, I think I'm in literature,' but my life was never like that.
He who climbeth on the highest mountains, laugheth at all tragic plays and tragic realities.
The artist sees the tragic to such a degree that he is compelled to express the non-tragic.
If you think you're an alcoholic, go to Scotland. You're not an alcoholic. These people are such drunken, toothless hillbillies - I've never seen anything like it. People in Scotland drink while they're drinking.
The 'Beacon Street' record was kind of like a b-side to 'Tragic Kingdom,' but it came out before 'Tragic Kingdom,' so it's a weird situation.
For every story you hear that's tragic, there's another that's equally tragic or more so. I think you come to look at it as part of life.
The life of a writer is tragic: the more we advance, the farther there is to go and the more there is to say, the less time there is to say it.
To say you loved a person. / To say that person no longer exists. / A tragic flawed fate going on and on and on.
Well, the reality of her father was that he was a very diseased alcoholic, who died at the age of 34. And one always has to pause to wonder how much you have to drink to die at 34. And he was a really tragic father. I mean, he was absolutely unreliable. He was absolutely involved with various people. He had outside families, outside children, outside wives. He made his wife's life miserable. And she [Eleanor Roosevelt]ignored all of his faults and retained this sense of him as the perfect father.
Any evaluation which implies rightness or wrongness is a tragic, suicidal expression of an unmet need. Tragic, first because it decreases our likelihood of getting our need met! Even if we think it. And secondly, because it increases the likelihood of violence. That's why I'm suggesting any evaluation which implies rightness or wrongness is a tragic, suicidal expression of an unmet need. Say the need! Learn a need-consciousness.
I actually thought Pope Paul VI was the most tragic figure in the modern church, like Lyndon Johnson was a very tragic figure in politics in some ways.
I think Sacajawea was caught in a series of tragic situations - her kidnapping as a child, her being passed from tribe to tribe, being sold into marriage. However, I never thought of her as a tragic figure. I do not think she was a victim in the way we think of tragic figures.
There's no need to be tragic or destroy yourself or jump off a cliff. That's no longer the paradigm I wish to follow, or that anyone should follow. It is not necessary to be tragic. It's bullshit that women can't have it all. Why not? Other people do.
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