A Quote by David Sedaris

Famous people like to choose friends who won't go around repeating their conversations and details about them. — © David Sedaris
Famous people like to choose friends who won't go around repeating their conversations and details about them.
The Angelina Effect refers to the fact that a powerful, beautiful, well-respected and world-renowned woman unabashedly revealed private medical details about a gene mutation which affects 1 in 500 people. In so doing, she raised awareness and sparked conversations around the world amongst known BRCA carriers, possible carriers, and the circle of family and friends who care about them.
Friends are people who are in your life because you feel good around them and you like them. Friends are the people you choose to be with.
I always work only with friends, but it must be about them and myself. Because I film only very personal moments, nothing preplanned, staged or written, it has to be real and spontaneous. Some of them have become famous, some are not yet famous, some will never be famous. But they are all my friends.
Choose your friends carefully, for you will tend to be like them and be found where they choose to go.
Choose good friends. Friends help to determine your future. You will tend to be like them and to be found where they choose to go. Remember, the path we follow in this life leads to the path we follow in the next.
I get intimidated by famous people. When I'm around them and they look at me like I belong, I'm like, 'Are you nuts? You're freakin' famous!' Whether it's Elmo or a Beatle or Vince Gill, it's humbling to be in a room with these folks.
When I'm around people having conversations about their day, I'm looking at them, like, 'What could they possibly be talking about? How are we not talking about deconstructing white supremacy right now? How are we not trying to save trans people?'
One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out.
I'm process-orientated, and people say that about the details. But I love the players. My No. 1 job is to make them better men. My No. 2 job is to make them better at hockey, and I never confuse that. The best people I've ever been around in my life never let me get away with anything - ever. You can have all the details in the world, but if you can't communicate with people and find a way to help them help themselves, you have no chance in this league. To me, that's what the profession is about: getting guys to believe in themselves and each other.
The problem for us, as viewers, is that we want famous people who are passionate about the things they're famous for, because that makes them worthy of the attention. But I think many of those famous people just want to be famous.
I wasn't in school often enough to really belong to a 'clique,' but my friends all studied hard and got pretty good grades. They were good people with self-respect. I still like to be friends with people I admire something about; I really believe that we become like the people we're surrounded by, so I choose my friends carefully!
All our songs are about real people, true events. We do write about DC Comics and things like The Replacements. It's pretty much good conversations that happen at Art Brut shows. It's like making friends - like a Wanted ad: "Man that likes the Replacements and DC Comics wants friends to drink with at venue tonight. Who's coming?" It's like that.
When I was about to be famous, I feared it on a few levels. I feared it because I didn't want people to lump me in with those people who'd do anything to be famous. I didn't like the word 'celebrity.' I feared intrusion, you know? Make me famous, and suddenly you can go through my trash bins.
It's often said that I choose subjects that are sensational! I choose to film subjects that spark difficult conversations and make people uncomfortable. Change only comes about when people are forced to discuss an issue, and that's what I hope my films do.
I update my MySpace every day, I update my Facebook fan page, but that's about the extent of it. I don't want to get into extended conversations with people on MySpace, because there are friends I have extended conversations with every day. I'm on the phone every day. There's like five people I just call and yak with every single day. And that to me is my Internet. You can replace the Internet with five really smart friends.
Americans are very mobile and move around and choose the communities they want. On the ocean people would be even more mobile and empowered to link up with people they enjoyed, and detach and move away from people they did not. Increasing choice is a way to foster fulfillment in people's lives. I choose my friends and I'd prefer to choose my neighbors too.
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