A Quote by David Sedaris

But most good movies have a gun in them. — © David Sedaris
But most good movies have a gun in them.
Actors do these really gross, gun-'em-down movies, and I always wonder why. They're not good movies. And it's like, "Why are you doing them? Aren't you rich enough?"
I think that there's good movies and there's bad movies, and sometimes the bad movies spoil it for the rest of us, and we focus on them, but in the long run, all that matters are the good movies. Those are the ones that we will remember.
Many times, when you go to arrest somebody, they pull their gun, and here I am, a federal agent, telling them to drop their gun. But the gun is like that. I give them a split second to drop it, and they drop it. I could have shot them - who is going to complain?
Most movies are not very good. Most people know it and like to see them anyway.
I grew up on movies like Airplane! and The Naked Gun. You probably saw it more recently, but as a kid I grew up on them so I loved those kinds of movies.
Personally I like the slow burn; I don't think there is anything wrong with it. When I think about the movies that were most effective on me as a viewer I think of the original Haunting and the Exorcist, Rosemary's Baby, the Sixth Sense, the Others. These movies are not over the top at all, they are movies that rely on good story telling, good acting, good premise, good exposition and I want to stay true to that in future projects.
As gun owners, my husband and I understand that the Second Amendment is most at risk when a criminal or deranged person commits a gun crime. These acts only embolden those who oppose gun ownership. Promoting responsible gun laws protects the Second Amendment and reduces lives lost from guns.
There's no such thing as a good gun. There's no such thing as a bad gun. A gun in the hands of a bad man is a very dangerous thing. A gun in the hands of a good person is no danger to anyone except the bad guys.
Most filmmakers' entire body of knowledge is of other movies. When they describe things, they describe them in relation to other movies. That's why we have so many cyclical movies that look like other movies. But I'm not cynical. I even go to some of those movies.
If you get to the point in your career where you're running with a gun - I've yet to run with a gun. I've stood still with a gun, and I've walked with a gun, but I've never run with a gun. Running with a gun, to me, that's when you know you've really made it.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
The movies have never been a big deal to me. The movies are the movies. They just make them. If they're good, that's terrific. If they're not, they're not. But I see them as a lesser medium than fiction, than literature, and a more ephemeral medium.
There's good movies and there's bad movies. The genres are never dead, it's just about how to apply them and articulate them and execute them - the story, the quality of the writing, the acting, the design elements, the directorial execution - all these things make it what it is.
I am fortunate enough to have worked on, and continue to work on, evolutionary movies in all formats from just simple good story telling, which still matters most of all, to CG movies to tent-pole size 3D movies, and genre 3D movies like 'Piranha 3D.
If I had done some of the movies that I was offered as an actor - and very good movies, by the way, and some of them big moneymakers - I don't know that I ever would have taken what was the concentration or the time to do the movies that I produced. 'Reds' is a good example, but 'Shampoo' is also an example, and so was 'Heaven Can Wait.'
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