A Quote by David Sedaris
I felt uncomfortable calling myself a writer until I started with 'The New Yorker,' and then I was like, 'Okay, now you can call yourself that.'
Related Quotes
I felt uncomfortable calling myself a writer until I started with 'The New Yorker,' and then I was like, 'Okay, now you can call yourself that.
I have come to understand myself as more of a New York writer, or more of a woman writer, but I don't feel like that while I'm writing. But I think that most New Yorkers would object to calling me a New Yorker. I didn't grow up here.
It is difficult to call myself a writer, even when I stand at a podium to receive a prize, I feel uncomfortable calling myself a writer—I am merely a word criminal.
I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.
I think I became a better writer after I started writing for the New Yorker. Well, I know I did. And part of it was having my New Yorker editor and part of it is that was when I started really going on tour and reading things in front of an audience 30 times and then going back in the room and rewriting it and reading it and rewriting it. So you really get the rhythm of the sentences down and you really get the flow down and you get rid of stuff that's not important.
William Maxwell's my favorite North American writer, I think. And an Irish writer who used to write for 'The New Yorker' called Maeve Brennan, and Mary Lavin, another Irish writer. There were a lot of writers that I found in 'The New Yorker' in the Fifties who wrote about the same type of material I did - about emotions and places.
Lilian Ross was a - veteran writer for The New Yorker. She, in fact, brought me to The New Yorker many years ago.
My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it. I felt a calling.
When I started making my tracks in the style that people call tropical house, I didn't do it on purpose to make it sound tropical. I made whatever I felt sounded good. I just wanted to make my own thing, and then suddenly people started calling it tropical ... I'm like, 'Yeah, that's probably a good name for it.'
I remember feeling all right with myself until age 13. Then, I was getting off the bus one day and this guy called me Miss Piggy. That was the first time I ever really felt like I wasn't okay.
I don't like calling myself a "feminist" only because I don't think I've done anything active enough to call myself one. It'd be like calling myself a civil rights activist just because I'm not racist.
I've produced and gotten to do a lot of optimistic love stories, and that was so where I was at for 10 years in my life. And now I feel like, Okay, now I know how to do that. I want to get scared again; I want to feel the way I felt when I started my company, when I started producing.
I was kind of an unhappy kid. I always felt like a cynical New Yorker trapped in a little kid's body. I started to get some pretty bad anxiety disorders around puberty, which totally did not work with growing up a mile away from the beach. I started cutting my own hair.
One thing I did was to create a Love Yourself List. I wrote down everything I like about myself, and put it on my bathroom mirror. Then I read it until I believed it. Any time I compared myself to others, and felt negative about myself, I'd go back to that list.
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones.
I'm constantly saying, 'I read a fascinating article in 'The New Yorker'... ' I say it so often that sometimes I think I have nothing interesting to say myself, I merely regurgitate 'The New Yorker.'
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