A Quote by David Sedaris
I've always been very upfront about the way I write, and I've always used the tools humorists use, such as exaggeration.
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As both an essayist and science fiction and fantasy novelist, I write about and for the future. I talk about the past to remind us that what we believe has always been true - that men and women are somehow static categories, or that men in power has always been the default, or that same-sex love affairs were always taboo - has not always been thus.
I have a really good idea of who my readers are and always write with a sensitivity to my audience. I use the F word when necessary, but there are words I won't use, mainly because I don't like them. I don't write about body parts when I write about sex. It's not about the physiological, it's more important for teens to read about the emotional aspects. I do think there are times when self-censorship is important.
When I moved into making sculpture, I could handle steel the way it had been handled in the technological revolution. I could use it the way bridge builders used it; I could use it the way they used it in industry and building and not the way it had been used in art.
There is always this interesting relationship we have with technology. When we invented writing Socrates used to say it was going to rot our brains because we were going to write everything down and not have to remember anything, and so it would atrophy our brains. So there has always been this human drive on the one hand to create tools, to create technologies to overcome our boundaries, but then there is always this reservation, and this fear that say these technologies are somehow unnatural and it is against nature to partake in them.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
I've always written about people who have very abstracted in a certain way. I write about scientists and artists and musicians. I write about people who live in their heads who are very obsessed about a certain set of details in the physical world.
I'm the kind of person who lives my art. It's not that I want to necessarily do it: it's that I have to. It's always been that way. That's how I write songs, and it's always been this way.
It is innate in our species to be cyborgian in nature. We have been in the self amplifying feedback loop with our tools since stone tools, and since the written word, and what we are seeing now is just a deepening of that. But it has always been the case. We have always done this.
I think that I've always represented self-empowerment, you being your best cheerleader, you always affirming yourself. I've always been about empowering people. It sounds very cliche in a way, but it's not.
Art is always an exaggeration in some sense; in color, in form, even in theme, etc... but it has always been this way. It is the same with the nature of some works by Giotto or Massacio, or the color of life as expressed by Van Gogh.
I try to write about small insignificant things. I try to find out if it’s possible to say anything about them. And I almost always do if I sit down and write about something. There is something in that thing that I can write about. It’s very much like a rehearsal. An exercise, in a way.
I always seem to write personal songs; that's always been my go-to thing, to write about what I'm experiencing.
You tend to write as you get older about family love more than you write about romantic love or ooh baby. ... The stuff that you want to celebrate about humanity has always been there and probably always will be.
This has always been my problem with genres is that they've turned into marketing tools. I've never been a person that allows themselves to be in any kind of box and I think that genres can be used as tools to define BPM or something but I think they're suffocating of music and other art. And I think they're inaccurate when they come to describing my work. Maybe other people like defining it, but I don't.
There is and always has been for me a peculiar need to write. This is very different from wanting to be a writer. To be a writer always seemed something so far removed from my talents and abilities and imaginings that it didn't afflict me at all as a notion when I was young. But I was always conscious that I wanted to write.
Stevie didn't use the technology to drive the song. He used it to enhance. I use the tools to further my work, I don't use my work to further the tools.
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