A Quote by David Sedaris

Sometimes with 'The New Yorker,' they have grammar rules that just don't feel right in my mouth. — © David Sedaris
Sometimes with 'The New Yorker,' they have grammar rules that just don't feel right in my mouth.
If you write for the New Yorker, you always get people critiquing your grammar, you can count on it. So, because a lot of New Yorker readers are kind of, you know, amateur grammarians and so you do get a lot of that.
No one complains of the rules of Grammar as fettering Language; because it is understood that correct use is not founded on Grammar, but Grammar on correct use. A just system of Logic or of Rhetoric is analogous, in this respect, to Grammar.
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones.
I'm constantly saying, 'I read a fascinating article in 'The New Yorker'... ' I say it so often that sometimes I think I have nothing interesting to say myself, I merely regurgitate 'The New Yorker.'
People who think that grammar is just a collection of rules and restrictions are wrong. If you get to like it, grammar reveals the hidden meaning of history, hides disorder and abandonment, links things and brings opposites together. Grammar is a wonderful way of organising the world how you'd like it to be.
Some times I need to apologize, sometimes I need to admit that I ain't right, sometimes I should just keep my mouth shut, or only say hello, sometimes I still feel I'm walking alone.
If you want to break the rules of grammar, first learn the rules of grammar.
Filmmaking in general is about feeling and not about theory. You need to know a lot of rules about filmmaking: character development, grammar, and all these thing, but then you use it instinctively. I ask myself this question all the time. I have no solid theory, I just do what I feel is right.
For most of us the rules of English grammar are at best a dimly remembered thing. But even for those who make the rules, grammatical correctitude sometimes proves easier to urge than to achieve. Among the errors cited in this book are a number committed by some of the leading authorities of this century. If men such as Fowler and Bernstein and Quirk and Howard cannot always get their English right, is it reasonable to expect the rest of us to?
Another example of what I have to put up with from him. But there was a time I was mad at all my straight friends when AIDS was at its worst. I particularly hated the New Yorker, where Calvin [Trillin] has published so much of his work. The New Yorker was the worst because they barely ever wrote about AIDS. I used to take out on Calvin my real hatred for the New Yorker.
In New York, all the crews read 'The New Yorker.' In Los Angeles, they don't know from 'The New Yorker.'
Do not be surprised when those who ignore the rules of grammar also ignore the law. After all, the law is just so much grammar.
By a generative grammar I mean simply a system of rules that in some explicit and well-defined way assigns structural descriptions to sentences. Obviously, every speaker of a language has mastered and internalized a generative grammar that expresses his knowledge of his language. This is not to say that he is aware of the rules of the grammar or even that he can become aware of them, or that his statements about his intuitive knowledge of the language are necessarily accurate.
Where's my heart at? Aw. Um, in my chest. I think it's in there - on the right hand side. Sometimes it's in my mouth and sometimes I can feel it in my stomach, when I get really nervous. So it's pretty physical.
Lilian Ross was a - veteran writer for The New Yorker. She, in fact, brought me to The New Yorker many years ago.
I just so desperately wanted to be published in New Yorker, and I'd so desperately try to get something in it. But I'd always get nice letters back telling me that Mr. Shawn [William Shawn, the New Yorker's editor from 1952 to 1987] just didn't like this or didn't like that about what I submitted.
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