A Quote by David Seltzer

I think the success of any movie is dependent upon it being a singular vision. — © David Seltzer
I think the success of any movie is dependent upon it being a singular vision.
I'm intrigued by films that have a singular vision behind them. A lot of studio movies have ten writers by the time they're done. You have a movie testing 200 times, making adjustments according to various people's opinions. It's difficult to have an undistilled vision.
Monetary success is not success. Career success is not success. Life, someone that loves you, giving to others, doing something that makes you feel complete and full. That is success. And it isn't dependent on anyone else.
I think our culture views success as visibility, being seen as being successful. Whereas I've learned that success is rooted in helping and connecting to other people, and knowing where you can contribute. I've kind of spent my thirties doing that, because in my twenties I was seeking any kind of success.
I'm an avid reader myself, and what any one reader accesses at any one time is very powerful and personal to them. Clearly you can't even begin to touch that. A novel is a singular vision, and then a myriad of readers have their own experience of that.
In our culture right now, I want to take on this notion of what a singular success means. We think success is one thing, but it's actually a spectrum of where our life takes us.
And that is also what the movie's about, going beyond success, what is success 'cause I think success is misperceived as just a cake and it isn't. There is many things inside that success. There's a maturity and a heartbreak and sadness and broken glass.
I think there's a danger that some people look at the success of my first movie as a fluke. So I want to make sure that my second film is an even bigger success. Then if I direct my third movie and it's terrible, it'll be okay.
Being an actor, in my case, any failure or success is extremely visible to a whole nation of movie-watchers.
While it does, and should, feel good to be appreciated by another person, if you are dependent upon their appreciation to feel good, you will not be able to consistently feel good, because no other person has the ability, or a responsibility, to hold you as their singular, positive object of attention. Your Inner Being, however, the Source within you, always holds you, with no exceptions, as a constant object of appreciation. So if you will tune your thoughts and actions to that consistent Vibration of Well-Being flowing forth from your Inner Being-you will thrive under any and all conditions.
'Atlas Shrugged' shows when you have a singular vision of something and how quickly you can become attune to that vision and devalue others quickly based on their principles and ideologies.
The Weinsteins believe in test screenings. I don't. I don't think good films are made that way. Call me crazy, but I'd like to think you need a singular vision to make good art.
I think there is a danger with young people of being dependent in the sense that they don't acquire any identity or self-image of themselves as thinkers.
I used to think that success was being the number one, being everywhere, being the star, and nowadays, I think that success is to make big things happen.
I think vision is highly overrated today. I think what really blesses a ministry is, if you want the power of God in your life, its humility and integrity. I'll take a person who's humble and has integrity over a person who has vision any day. A lot of people have vision just based on ego, but it's in that dependence upon God that we get His vision and develop more trust in Him.
Philip is being very vocal about it. For me, I don't think the story isn't at all anti-religious in any way. I think what's it more against is the control and the misuse of power that any organised religion, or any political organisation exercises over the people they're supposed to represent. I think that, for me, is what's important in the movie.
It's depend of the communication, I think it's very important to let the director make his own vision of the character, not making a studio movie. Look the Dark Knight it's totally the vision of Nolan.
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