A Quote by David Seltzer
I want to encourage the non-star, low-profile film, and maybe we've got a chance.
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I don't maybe follow the normal star profile, and it's not something that I particularly want to embrace in terms of the publicity thing and wanting to be famous and known.
It's a little challenging as a congressman to keep a low profile, but I try very hard to keep a low profile.
If you go into a comic book store, there are tons of Star Wars stories on the stand. There are lots of different stories to tell. Maybe George [Lucas] won't tell them. Maybe some kid, who's a Star Wars fan that's planning to go to film school, will call Lucas and say, 'I'd like to make a Star Wars film.' Then, they'll make one.
I've got a fairly low profile - I go and do me shopping when I need to!
We love making movies. We got into the business to make movies. At the end of the day, whether you're doing a low budget film or a big budget film, you want it to do well and you want people to see it. That's the whole point. You want to put some kind of message in it.
I have heard some people say I have a low profile. Why should somebody be high profile, anyway? I am just doing my job.
I want to maintain the privacy and remain low-profile.
You can certainly keep a low public profile if you want to.
I'm a pretty average guy and want to keep a low profile. I don't want the world necessarily to know about me.
To be sure, the hard-to-come-by interview - the 'get' - isn't an uncommon phenomenon here at 'The Daily Show.' We've had high-profile dignitaries, low-profile indignitaries, stars you've heard of, authors you should have read.
I'm going to Columbia University but I'm trying to keep that low-profile because I don't want weird people following me there. I want the experience of normal college life.
I don't want to be a film star. I don't even want to be a pop star. I just want to live in peace.
When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film.
But this is what I know about people getting ready to walk of the edge of their own lives: they want someone to know how they got there. Maybe they want to know that when they dissolve into earth and water, that last fragment will be saved, held in some corner of someone's mind; or maybe all they want is a chance to dump it pulsing and bloody into someone else's hands, so it won't weigh them down on the journey. They want to leave their stories behind. No one in all the world knows that better than I do.
If you want to make pictures and enjoy making them, you better go out and make something that a lot of people want to see. And then they'll turn you lose and let you make what you want. And then maybe you can do some of the things that you want to do. But as a beginner, you haven't got a chance.
I just won't sing and dance in a film. But when you have a chance to star in an Abbas-Mustan film, why will anyone let it go? I have been lucky to do films which have been different from each other.
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