A Quote by David Shields
I am interested in work that jumps boundaries, and that makes trouble. Part of me is comfortable with that: with being a bit of a troublemaker.
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Back home I had always been comfortable around people. I was the troublemaker, always being funny - that's just who I am. I'm Latina; I've always had that extra little flavor. But when I got to New York, it became about being comfortable with myself in a place where I didn't know many people, and that was the big challenge. Ultimately my personality helped me build relationships with the people I was working with, and I was able to stand out.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
I was so unsuccessful for so long. I was used to the word no. I was used to you're not good enough or not quite there or you need to fix this about you. So I am honestly walking in faith every single day that I am going to be able to handle whatever God has for me. I am not used to being in a place where people appreciate my work and understand my work and want to be a part of my work and getting something out of my work because for so long it was so misunderstood. The success part for me is the hardest part and everyday I'm still battling.
It kills me to lose. If I'm a troublemaker, and I don't think that my temper makes me one, then it's because I can't stand losing. That's the way I am about winning, all I ever wanted to do was finish first.
Being a musician, being a person who's playing tours and making records is a part-time thing for me at age. I did it, I lived it and I breathed it every day of my life for 30-odd years and now I am slowing down a little bit. But it does not mean that I am any less intense and dedicated to the work that I am doing now. I have other priorities in life as well.
I don't do anything in order to cause trouble. It just so happens that what I do naturally causes trouble. I'm proud to be a troublemaker.
You do not know me,’ said Tortoise. ‘I am a changed man. I have learned that a man who makes trouble for others makes trouble for himself.
Being in front of an audience makes me feel alive. Being with friends makes me feel alive. I’ve done some crazy stuff in my time and yet I can feel infinitely alive curled up on a sofa reading a book. So, what makes me feel alive? I guess it’s realizing I am part of the world around me.
I am comfortable in myself and my surroundings, so that makes me play stress-free and enjoy being on the ball.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
I ruffle a lot of feathers. And I'm also selective - that makes you a troublemaker. But so be it. I laid a cornerstone for black actors, and that makes me happy.
I think I had a lot of fear, even when I was really young, that I was going to be seen as something that I didn't want to be. I didn't really know how to be myself well enough to be comfortable being someone else. Now, as an adult, I have a grounded enough awareness of who I am as a human being and what I'm comfortable exploring and what I'm not interested in exploring.
I can say, 'I am terribly frightened and fear is terrible and awful and it makes me uncomfortable, so I won't do that because it makes me uncomfortable.' Or I could say, 'Get used to being uncomfortable. It is uncomfortable doing something that's risky. But so what? Do you want to stagnate and just be comfortable?'
I was the troublemaker, always being funny - that's just who I am.
My paintings used to be so realistic and I found it a little bit boring, especially now that I'm in New York. I wanted to be more free, first in my mind and then, slowly, in my work. Many artists have these jumps in their work and at some point it looks like a supermarket. For me it was important to develop.
I write from my knowledge not my lack, from my strength not my weakness. I am not interested if anyone knows whether or not I am familiar with big words, I am interested in trying to render big ideas in a simple way. I am interested in being understood not admired.
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