A Quote by David Shields

As a work gets more autobiographical, more intimate, more confessional, more embarrassing, it breaks into fragments. — © David Shields
As a work gets more autobiographical, more intimate, more confessional, more embarrassing, it breaks into fragments.
Confessional poetry is, to my mind, more slippery than poems that are sloppily autobiographical; I find the confessional mode much more akin to dramatic monologue.
No more painters, no more scribblers, no more musicians, no more sculptors, no more religions, no more royalists, no more radicals, no more imperialists, no more anarchists, no more socialists, no more communists, no more proletariat, no more democrats, no more republicans, no more bourgeois, no more aristocrats, no more arms, no more police, no more nations, an end at last to all this stupidity, nothing left, nothing at all, nothing, nothing.
I am not interested in things getting better; what I want is more: more human beings, more dreams, more history, more consciousness, more suffering, more joy, more disease, more agony, more rapture, more evolution, more life.
Tax breaks and other financial breaks that favor the wealthiest among us do not create greater prosperity for all; they simply siphon off more and more money to those who already have it, and more and more money away from those who do not.
The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
The more versatile you make yourself, the more work you get. Training makes you more versatile and ultimately gets you more work. Julliard taught me that.
The live events are more interactive for the fans. With TV, you have the cameras there, commercial breaks where the fans can tell there's a down moment. At the live events, it's non-stop. We get to play with the audience; the crowd gets to get involved a little more. It's a very intimate feel.
Drink has shed more blood, hung more crepe, sold more homes, plunged more people into bankruptcy, armed more villains, slain more children, snapped more wedding rings, defiled more innocence, blinded more eyes, dethroned more reason, wrecked more manhood, dishonored more womanhood, broken more hearts, blasted more lives, driven more to suicide and dug more graves than any other evil that has cursed the world.
I used to be a big arena person. I thought more people equaled more intensity, but smaller places are a lot more intimate, I feel more connected with the audience.
The more stringent the rules and the more limiting they are, the more the poet and writer is forced to resort to special techniques and intricacies to escape them. And these techniques and intricacies adorn the writing and make it more beautiful. But, in the modern world, linguistic intricacies and embellishments do not attract much attention anymore, and the more sincere and intimate the relationship between a work and its reader, the better.
Sometimes I get more excited for shows that I know are going to be quieter because it gets me more inspired to be more of a showman and be more of an entertainer and forces me to work harder.
One of the problems with industrialism is that it's based on the premise of more and more. It has to keep expanding to keep going. More and more television sets. More and more cars. More and more steel, and more and more pollution. We don't question whether we need any more or what we'll do with them. We just have to keep on making more and more if we are to keep going. Sooner or later it's going to collapse. ... Look what we have done already with the principle of more and more when it comes to nuclear weapons.
Fifth Harmony as a group represents more confidence, more girl power, more unity. They're anthems, as opposed to confessional songwriting about one person's life when there are five individual women.
History gets thicker as it approaches recent times: more people, more events, and more books written about them. More evidence is preserved, often, one is tempted to say, too much. Decay and destruction have hardly begun their beneficent work.
The work gets more difficult as you get older. You learn more and you gather more experiences, there is deeper pain and higher highs.
I think all writing is necessarily autobiographical to a greater or lesser extent, and the less it tries to be confessional, the more likely it is that you're somehow sneaking the things you need to say in there.
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