A Quote by David Shields

It's true of so many fiction writers that I much prefer the essayistic work they did, whether it's David Foster Wallace's, or John Cheever's, or Nathaniel Hawthorne's.
Unfortunately, I'm not a history buff. I don't read biographies, except of some of those writers whom I've collected over the years - particularly Samuel Beckett and Henry Miller, people like Charles Bukowski and John Fante and David Foster Wallace.
Writers such as Richard Powers and the late David Foster Wallace have shown the path to a newer generation of writers for whom all national boundaries are quaint curiosities.
I'm ashamed and embarrassed to say that I've read very little of David Foster Wallace's work. It's a huge gap in my education, one of many.
Mr. Franzen said he and Mr. Wallace, over years of letters and conversations about the ethical role of the novelist, had come to the joint conclusion that the purpose of writing fiction was “a way out of loneliness.” (NY Times article on the memorial service of David Foster Wallace.)
Work ethic and this determination is all part of escaping the depressive side. Of course I'm manic depressive, maybe not to the degree that Exley was, but I think all writers are. There are highs and lows. Look at David Foster Wallace.
I'm influenced by Jennifer Egan, Dave Eggers, David Foster Wallace: writers who are often not content to just stack paragraphs and have to break out of that.
You don't have to write like David Foster Wallace or James Baldwin or Maggie Nelson - indeed, you shouldn't. Those writers are doing it better than you ever could.
I like writers who seem to write because they have to. You get the feeling of this burning desire to tell a story. I find it in Peter Carey, Nicola Barker, Ali Smith and David Foster Wallace.
While Max appears to greatly admire Wallace as a writer and feel compassion for him as a man, he is never starry-eyed, or pulls his punches. Every Love Story is a Ghost Story is as illuminating, multifaceted, and serious an estimation of David Foster Wallace's life and work as we can hope to find.
Although I did admire David Foster Wallace's final unfinished novel about boredom, I'm no DFW, and I want my books to be exciting, not boring.
David Foster Wallace, in my opinion, is one of the greatest writers we've ever had, certainly in the last twenty years. His obvious dominance of the English language is partnered with honest moments and the most beautifully dark sensibility.
I am in that everything [ David Foster Wallace] writes is pretty much the best stuff I've read, so that makes me a fan I guess.
I love those adult writers with the pranking ethos, [Don] DeLillo and [Donald] Barthelme and David Foster Wallace. I don't see any reason not to bring those kinds of influences to bear on books for children.
My occupation has been a great deal with David Foster Wallace, and he didn't manage it, and he was very much looking for something that isn't totally selfish, and finding meaning. It's a struggle.
Maybe it's because I was named for him, but I've always wanted to meet Nathaniel Hawthorne. It's oversimplifying, but all Hawthorne's short stories and novels are, in one way or another, about guilt. Something profoundly disturbing must have happened to him at an early age. I'd like to know what that was.
My work holds up the mirror to hypocrisy, which puts me in a tradition of American writing that reaches back to Nathaniel Hawthorne.
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