A Quote by David Shields

I would hate to be that person who is, you know, the mystery writer who has to deliver a book every year to publisher X. — © David Shields
I would hate to be that person who is, you know, the mystery writer who has to deliver a book every year to publisher X.
The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.
Canadians are fond of darker stories, serious stories, so if you're a Mystery writer or a Romance writer or Fantasy Writer, you will most likely have an American publisher and agent.
What is striking is that from almost from the very beginning of certainly by September and October of 1963, as the book was being constructed, that [Alex] Haley was vetting - asking questions to the publisher and to the publisher's attorney regarding many of the things that Malcolm X was saying. He was worried that he would not have a book that would have the kind of sting that he wanted.
As a writer you know you don't have to deal with a lot of the crap that most people deal with, the political things. Every couple of years when your book comes out then you have to go into these fights with the publisher and the publicist and that's it.
By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.
I'm not a writer's writer. I'm not a craftsman. I could be, and that would be a one-book-a-year operation.
When I was in my early 20s, my dream was to write mystery novels. I wanted to do what my favourite crime writer, Ross Macdonald, did - crank out a book a year. The only problem - and it was a considerable one - was that I stank.
I wrote my first full book when I was fourteen, and that was 'Obernewtyn.' It was also the first book I had published. It was accepted by the first publisher I sent it to, and it was short listed for Children's Book of the Year in the older readers category in Australia.
My British publisher has this independent press. It's pretty small; they actually won last year. And she's got this great energy, and she's fiercely independent, and you know this book was a hard sell. No one wanted to buy this book. But she did, and so it's paid off for her, I hope.
For a whole year in elementary school, when the class marched down to the school library every week, I would refuse to return my book. I would just check it out again and again. Every week. For a whole year. The object of my fourth-grade filibuster was 'D'Aulaires' Book of Greek Myths.'
I don't think of myself as a mystery or thriller writer, honestly. I am in awe of mystery writers and don't think I have what it takes to write such a book.
I have always thought, the secret purpose of the book tour is to make the writer hate the book he's written. And, as a result, drive him to write another book.
You can call someone a lousy writer. You can say you hate their book. You can even call a person 'white trash' but you can't go on television and slander a person's career. It's illegal, even on reality shows.
I know that books seem like the ultimate thing that's made by one person, but that's not true. Every reading of a book is a collaboration between the reader and the writer who are making the story up together.
I frankly couldn't imagine being a series mystery-fiction writer, churning out book after book about the same viewpoint character.
I hate to badmouth any book or writer, because I know how it feels to be on the other end of that.
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