A Quote by David Shields

I'm interested in non-fiction, but a form of it which is very badly behaved, which doesn't define itself as straight-ahead journalism or memoir. It blurs boundaries, plays fast and loose with the truth - not to be silly, whimsical or lazy, but to get greater purchase on what it feels like to be alive.
I have always distrusted memoir. I tend to write my memoirs through my fiction. It's easier to get to the truth by not claiming that you are speaking it. Some things can be said in fiction that can never be said in memoir.
Though I consider The Chronology of Water to be an anti-memoir for very precise reasons, it is an art form, and thus as open to "critique" as any other art form. Memoir has a form, formal strategies, issues of composition and craft, style, structure, all the elements of fiction or nonfiction or painting or music or what have you.
In the form of the oeuvre, the actual circumstances are placed in another dimension where the given reality shows itself as that which it is. Thus it tells the truth about itself; its language ceases to be that of deception, ignorance, and submission. Fiction calls the facts by their name and their reign collapses; fiction subverts everyday experience and shows it to be mutilated and false.
I can be very snobby about fiction, especially contemporary fiction. I can be kind of overly demanding, I think. But this is, I think, a good time. A lot of fiction comes out right now. So, I like reading the memoir. I love memoir, the biography, auto bio.
I've behaved badly in my life. I hope I haven't behaved as badly as Dickens! In a way, if you're a woman, you're not in a position to behave as badly, because you don't have the economic power.
'Fast and Furious' continues to be alive, which means 'Tokyo Drift' is still alive, which means DK is very much alive.
A lot of my songs are very personal, always, but this one felt like a memoir. I almost called it Hallucinated Memoir. "Granny" is a hallucinated memoir. It's straight-up symbolism for my life, in many ways.
One of the aspects of form that I have been very interested in is stasis - the concept of form which is not so directional in time, not so much climactic form, but rather form which allows time, to stand still.
Usama bin Laden feels like Iraq is a part of this War on Terror. He has made it clear that he would like for us to leave before Iraq can defend itself or govern itself and sustain itself, so that he could have a safe haven from which to launch further attacks, a safe haven from which to topple modern governments, a safe haven from which to, you know, be able to get a hold of oil resources.
I've always been interested in the form itself, so I always feel like I've never been good at going ahead with the artifice and not acknowledging the self in the artistic process, and not acknowledging the absurdity of pretending that's required in fiction.
I'm drawn to fiction that hints at nonfiction, that blurs or seems to blur the boundaries between invention and autobiography.
There's no real objection to escapism, in the right places... We all want to escape occasionally. But science fiction is often very far from escapism, in fact you might say that science fiction is escape into reality... It's a fiction which does concern itself with real issues: the origin of man; our future. In fact I can't think of any form of literature which is more concerned with real issues, reality.
Mathematics is a form of poetry which transcends poetry in that it proclaims a truth; a form of reasoning which transcends reasoning in that it wants to bring about the truth it proclaims; a form of action, of ritual behavior, which does not find fulfilment in the act but must proclaim and elaborate a poetic form of truth.
I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.
The reason people get afraid of writing real, honest journalism and fiction, and the reason corrupted people and demagogues are afraid of journalism and fiction and poetry across the world, is because it is a subversive form.
The only thing which can keep journalism alive - journalism, which is born of the moment, serves the moment, and, as a rule, dies with the moment - is - again the Stevensonian secret! - charm.
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